The dessert beer is a tricky tart to perfect. Of course, opinions vary and some will swig down just about anything based on a name regardless if the beer actually delivers on the flavors it promises. The perils are real though. Dessert beers can verge on sickly sweet to flat out not being able to cash in on its promises. Ballast Point’s Red Velvet falls somewhere in the middle.
This review focuses on the release of the six pack of 12 oz nitro bottles that were recently released. As the bottle promises the beer is nitrogenated and pours light pink and cascades beautifully leaving a deep red hued beer with a creamy, slightly pink head that resembles cream cheese frosting. The aroma is lacking quite a bit with muted notes of light malts, vanilla and hints of chocolate.
It’s worth noting that this beer is an golden oatmeal stout with chocolate and natural flavors added. So, in being a “golden stout” it allows for the intense red color from the beets to come through so vividly. Before moving into the taste it’s also worth noting that I have never had a beet in my entire life. Prior to this beer I’ve only ever even had one beer that utilized beets and it was a sour…three years ago, so there’s no way to rely on my ability to recognize the actual beet characteristics of the use in this particular beer. If you’re lost, let me explain. (more…)
Shower beer. For some, that is a new and confusing term. Other’s its a relaxing escape from the stresses of everyday life. Ladies, you know how blissful it is to run a nice hot bath and sit back with some candles, maybe a nice glass of wine and just shut yourself off from the world. Shower beer, while arguably not as peaceful, rivals the other’s potential as a perfect way to unwind after a long hard day of adulting.
To clarify, neither activity is gender specific. Men and women alike can choose whatever path floats their boat. The question is–what is it about drinking a beer in the shower that makes it so damned satisfying? Then again, maybe you’ve done it and don’t see the appeal. Both sides can coexist believe it or not and whether you’re pro shower beer or have no idea what the draw is, neither of you are wrong.
On the pro side, surface level, there’s something freeing about being soapy and naked while drinking a beer without judgements–except your own if you catch a glimpse of your reflection in shiny silver shower knob. I’d have to have a whole lot more scientific experience in my background to give you any hard facts about whether or not it has any healing properties or other positive effects for the skin. From my perspective, it’s biggest draw is psychological at best and even that might be a stretch. (more…)
While superhero fatigue still has me in its icy grip, along comes Logan to warm that chill–at least temporarily. Perhaps it’s the, at times, overwhelming violence or the emotional vulnerability of being a new dad that makes the arc Wolverine’s final chapter that much more effective. Whatever way you look at it, Hugh Jackman’s curtain call as the claw wielding potty-mouth is a fitting and emotional bow that might rely a little too much on its R rating and hero cliches.
Picking up in 2029 where mutant residency has since passed, Logan spends his days driving a limo for drunk brides and frat boys chanting ‘Merica near the US/Mexico border. South of the border Logan lives with Caliban (Stephen Merchant) and an aged Charles Xavier (Patrick Stewart with his most powerful portrayal as Professor X to date) suffering dementia and the occasional population crippling seizure. With his health steadily declining and his body unwilling to heal like it used to Logan begrudgingly accepts to transport a young mutant, Laura (Dafne Keen), with powers strikingly similar to his own, North across the Canadian border and hopefully to safety away from the research facility tracking her down. (more…)
Jordan Peele, a name synonymous with clever biting commentary on social issues, has stepped into the cinematic ring and delivered a one-two punch that’s more potent than anything audiences have seen in a wide release horror flick in quite some time. Get Out leans a little bit more studio than recent critical darlings such as The Witch or It Follows, but has a punch all its own that rivals some of the best genre films of all time.
Whether or not Peele’s debut feature will stand the test of time is yet to be seen, but it’s hard to imagine something this sharp and witty to get pushed back in the annals of cinema history. No, it’s not just possible, but likely that Get Out is going to be talked about amongst critics and audiences alike for the foreseeable future. Exploring the simple yet all too real awkwardness of an African-American male meeting his Caucasian girlfriend’s parents and the weird stuff going on within the grounds of the family’s sizable estate. From scene one, Peele sets an uneasy yet humorous stage with an intro that features a black male waltzing in a suburban neighborhood at night before befalling something a little spooky. The racial factor is of course not lost on an audience of any race or gender, but is in fact a fear I’m sure we’ve all had walking late at night in unfamiliar territory–the possibility of being stalked by someone with less than noble intentions. (more…)
Let’s be honest with one another–the Fifty Shades series is an easy target for snarky critics. There’s not much of a challenge in sitting down and pinpointing every illogical turn the movie takes and every laughable line of dialogue uttered by actors who seem as tickled about what they are saying as we are hearing it. It’s hard to take a breath, collect oneself and approach a movie like Fifty Shades Darker and pick out why you should see it–and trust me, no one involved has made it easy.
For every one thing good you can say about James Foley’s film there are a handful more pushing into the spotlight to ruining it for the rest of us. Yet we march on–Fifty Shades Darker picks up shortly after the first film as Christian Grey (Jamie Dornan) continues to creepily pine for the plain Jane, Anastasia (Dakota Johnson). After a half-hearted attempt to brush him off, Anastasia agrees to meet with Christian to renegotiate the terms of their “arrangement”. As they embark on their new relationship Christian’s past and Anastasia’s vanilla sex appeal proves to be a little more complicated than they anticipated. (more…)
In 2016 we saw Batman twice in theaters and for most of us, we left those two encounters less than enthusiastic. With Warner Bros. flailing wildly in need of a hit, in steps some tiny plastic toys to save the day. Even with as good as The LEGO Batman Movie is, it also amplifies how inept Batman vs. Superman: Dawn of Justice and Suicide Squad were at the most fundamental level–being entertaining. In a way, the latest in the Batman universe acts as a sincere apology for the aforementioned disappointments.
To be fair The LEGO Batman Movie has the benefit of irreverent humor that leans heavily in meta territory. The film exists in a world where Gotham City and its citizens are kind of tired of Batman’s shenanigans. Years of fighting bad guys and yet crime rates are as high as ever. Even Batman’s greatest enemy, Joker, has decided that he must concoct a new scheme to get the Caped Crusader in touch with his emotions. With the help of a recently adopted orphan, Dick Grayson, and the city’s new commissioner, Barbara Gordon, Batman embarks on a mission to save his tarnished reputation and the city. (more…)
Advice for Split…just sit back, relax and enjoy the one man show that is James McAvoy. Don’t wait for a twist. Don’t expect M. Night to drop the ball at some point. Just find a comfortably groove in your theater seat and picture yourself at one of the greatest one man shows you’ve seen in recent memory–maybe ever.
M. Night Shim Sham has certainly made a name for himself over the last decade or so–and not all in a good way. After breaking onto the scene and becoming known as the master of the twist it then quickly became his Achilles heel. When The Visit was released last year people were giddy with the idea that the filmmaker had reinvented himself–that the filmmaker who had grown to be waaay into himself as an artist and the twist machine was running on empty had finally turned a corner. Split continues that progression, but in a much different way. (more…)
Peter Berg has clawed his way into a comfortable if controversial niche. Some might call it shameless exploitation of national tragedy, but the filmmaker for the most part manages to treat these sensitive topics with just enough respect to skate by. Patriot’s Day is Berg’s second release of 2016, but one that strike’s a chord that’s still a little fresher in our memories. Perhaps the most surprising is that while the film focuses less on the marathon bombing and more on the following investigation and capture of those responsible. The result is a rousing thriller that just happens to be based on real-life events that still manages to force out some tears.
Unlike most of Berg’s latest true story films you’d be hard pressed to have to explain the Boston marathon bombing to just about anyone old enough to have the urge to see the movie. The film focuses on the involvement of a hobbled police officer, Tommy Saunders (Berg’s muse, Mark Wahlberg), who finds himself at ground zero of finish line explosions and wrapped up in several aspects of the following investigation. Along the way there are a number of high profile actors poking there heads in for their masculine man-isms and over written one-liners but Wahlberg’s character easily shares the majority of the spotlight. (more…)
No, I’m not just channeling my inner Cosmo writer with that title, but I suppose the change of pace does warrant a little bit of explanation. Here at TGoF the goal has never been to just get on and babble incoherently about beer and movies. Okay, so it actually did start that way, because I never had any illusions that I would have the inspiration to do anything but get on and babble incoherently about beer and movies.
When 2016 came to a close, I felt it was now or never to at least try and change things up a bit going into 2017. Step one is to branch off a bit into some other opinionated posts related to my bread and butter–beer and movies. I haven’t planned much outside of step one, so we’ll cross that bridge when we get there. So, every now and then when inspiration strikes you’ll hopefully see some “new” and “different” content filling the space on my little blog and with any luck, anyone who stumbles across it will enjoy. Welcome to TGoF in 2017…now lets get started! (more…)
It was a fairly quiet year of moviegoing here at TGoF. Lots of adjusting to life with a baby along with other typical life happenings that eat into one’s time and energy. The result made it difficult to fit in some of what many would consider the best movies of the year and being a genre lover I always make time for those pesky horror movies–which is why my lists tend to befuddle the more refined movie snobs. However, in review of the movies I saw this year and not being satisfied with the options for a top ten the executive decision was made to this year do a top five instead. Condensing down hopefully just accentuates how great I felt the top choices were as opposed to how weak (yet still highly rated) my overall top ten would have been.
Over the course of the next few weeks it’s possible I’ll make it out to cinema darlings like La La Land and and Moonlight, but for now hopefully you’re eyes will find my choices for what I did see in 2016 acceptable enough. As always thanks for checking out my ramblings and I look forward to getting back in the saddle more and more on 2017! (more…)