[Movie Review] ‘Dunkirk’ is 2017’s Most Pummeling Onslaught of Cinematic Skill

The sights and sounds of war. That’s what Christopher Nolan’s Dunkirk is all about. Forget character and forget telling individual stories–this movie wants to put the audience on the front lines of land, air and sea to deliver an experience. Make no mistake, Dunkirk is one of the most incredible and unique cinematic experiences you’re likely to experience–and while there are a number of prolific filmmakers, few operate with such technical skill quite like Nolan. 

The film tells the story of British forces trapped on the beaches of Dunkirk simultaneously awaiting rescue and intermittent air attacks at the hands of Nazi forces. Nolan’s focus is that of human resolve and wordless heroism. It is true, there are few characters you can attach yourself too, but that’s not the point. Dunkirk is a film you simply live as an audience member. In the grips of war, the British forces are constantly being bombed from the air as they await military boats to take them home–said boats are themselves under attack, so the soldiers are in a harrowing fight for survival. Dunkirk’s entirety pulls the audience from those breathless sequences to show intercutting sequences of a civilian boat headed to the beach to help save soldiers and the air forces en route to pick off the enemy planes attacking the boats. 

No time is wasted in what might be Nolan’s shortest film to date. We are quite literally dropped into the thick of the fight as bullets whizz by with shocking sonic effect through the speakers. Simply sitting in your chair Dunkirk will drag you through the hell of a period during WWII of great significance–one I was previously ignorant of–but conveys war in an immediate and frighteningly human way. The sheer number of people that are in harms way and how vulnerable they are should not be lost amongst the cinematic weight of the picturesque works of art that art composed to perfection through Nolan’s vision. 

Hans Zimmer’s score ticks away from the opening moments conveying the immediacy of the action happening on screen while the sound design pummels the audience in there seats as though they are themselves on the sands of Dunkirk or alongside Tom Hardy and the breathtaking dogfights. 

The lack of character development will play out subjectively viewer to viewer–some will find it a refreshing take on the war genre, others might feel disconnected to the characters and the life and death circumstances. Nolan’s presentation of war and heroism through relentless action is unconventional to say the least and it’s exciting to be witness to a filmmaker constantly pushing himself and the medium in unexpected ways. 

A few editing woes aside, Dunkirk may be one of the best if not the best Nolan film to date. Arguably just shy of perfection the images on display are unbelievably beautiful and the scope of Nolan’s undertaking has to be considered as close to masterpiece as any working filmmaker can accomplish on a blockbuster scale. 

Rating: A

Beer Recommendation: Prize Old Ale from George Gale & Company Ltd. — I wasn’t quite sure how to pair a war movie with beer, until I was struck with curiosity during one of the final scenes. The scene in question features bottles of beer being handed to characters on a train and at the time I didn’t think to pay much attention to the label nor did I have the forethought or means to zoom in on one. With the help of google and a friend with much better eyes than mine the beer was found!

George Gale’s Prize Old Ale is unfortunately not a beer I’ve had the pleasure of trying, but the brewery has a long history and if Beer Advocate ratings are any indication iterations of the beer are still in circulation (seemingly owned by Fuller’s Brewery now), but with a different look than in Nolan’s Dunkirk. The pictured bottle simulates the label you might see in the movie–or in set photos posted online (like the one below). Since I’ve not consumed the beer, I won’t try to muddle my way through flavor notes (Beer Advocate users can help you there) that vaguely relate to the movie or the experience. Instead, this recommendation comes as a minuscule Easter Egg in history, although should you be holding a bottle or have access you can certainly sit down and toast to the soldiers at the end as you both have endured some version of the Dunkirk experience. 



[Movie Review] A Warm and Welcome Homecoming for Your Friendly Neighborhood Spider-Man

spidermanhome_posterWith great power, comes great responsibility, John Watts. It’s one thing to have Spidey somewhat back in the hands of Marvel Studios, it’s a whole other thing to deliver a portrayal of Peter Parker’s alter ego that can wipe the slate clean from sins passed. Watts has come from ultra low budget horror, Clown, to helming what is hands down the greatest Spider-Man film to date.

Sam Raimi and Marc Webb both tried and–to certain degrees–failed to deliver crowd pleasing adventures for everyone’s favorite web-slinger. While these were not the first efforts to bring the character to the screen in one way or another, of the most modern attempts it would seem the third time (third iteration anyway) was the charm. Tom Holland’s first appearance in Captain America: Civil War gave legions of fans hope for the impending reboot as it certainly appeared that finally the tone and personality of Peter Parker and his arachnid alias had been captured. Spider-Man: Homecoming extends that and more with nearly the entire high school setting.  (more…)

[Mega Movie Review] Catching Up on 2017

13886469_1267046413328617_7042198926381498825_nBusy time of year folks, so apologies to anyone who actually looks forward to my latest reviews. I didn’t want everything I’ve seen to fall by the wayside, so here are some brief thoughts on everything I’ve seen so far in 2017 but haven’t had time to sit down and put full write ups on. Sit back relax and “enjoy” some candid hot takes on these 2017 releases!

Kong: Skull Island – Come for the star studded cast then shove them aside for the awesome creature fights. Kong is visually impressive, but it lacks humanity in a pretty comical way. The characters very much feel like empty shells taking us from one place to another to be bait for the eventual breathtaking spectacle of the Kong fights. In spite of the lack of characters to hang your hat on this was still a pretty tremendous and crowd pleasing theater experience. Rating: B+

Gifted – Sort of let this one get lost in the shuffle. This is a very understated film. There was almost no marketing push and it just sort of appeared in theaters with little to no fanfare. If its still out there though, get out and see it. I could have used a little more closure for some of the relationships and perhaps a little more emotion out of Chris Evans’ character, but this has been the most affective dramas so far this year that also happens to have a pretty delightful sense of humor. Rating: A-

Raw – Coming out of the film festivals the press on this was touting how extreme it was and how it was causing audience members to faint or throw up. When the credits rolled I had one question: What kind of p****** were attending these screenings? I can’t fathom anyone watching this and feeling sick. The sound design is effective, but never to the point that I felt even the slightest bit nauseous. The film looks great, the central performance is quite good and the themes are intriguing…but color me disappointed that this is apparently what gets people worked up these days. Rating: C+

The Blackcoat’s Daughter – I have watched this film at least 4 times now. Each viewing has made it grow on me a little more each time. You’ll want to have been a fan of moody slow burns such as It Follows and The Witch for this one to be in your wheelhouse and if it is you’re in for a treat. Oz Perkins has a knack for creating an uneasy tone and depth to story without over explaining and hammering themes down your throat. Horror fans should quickly familiarize themselves with Perkins…that’s the moral of the story. Rating: B+ (inching ever so close to an A-)

The Devil’s Candy – When The Loved Ones FINALLY came out there was little that would convince me that Sean Byrne wasn’t going to be a horror breakout filmmaker and that his next film wouldn’t be my favorite one of the year. Get Out is going to make it tough for anything else to take that title this year, but even then I still don’t think The Devil’s Candy could pull it off. That being said, it is still pretty great. Byrne’s sophomore flick is tense and totally metal, but could have benefited from a more energetic sense of momentum. Rating: B+

Detour – If you don’t know the name Christopher Smith no one–including me–would blame you. If you haven’t seen any of the movies he’s made, shame on you. The director’s name is so plain that remembering it is understandable, but if you’ve seen and love his movies like I do you’d remember. Detour is just another road of twisty mind games to add to the road map of his career that’s also well worth your time–even if I don’t enjoy the acting chops of Tyr Sheridan. Rating: B+

The Girl With All the Gifts – Those clamorong for a The Last of Us film should know that you kind of already have one–and this is it. The storyline is not the same, but the film has so many aspects that mirror the game that it’s sort of surreal. The emotional resonance is lacking, but the thrills and mythology are more than enough to draw you to this one. It seems as if the creative team involved envisioned something even more ambitious, but budget constraints hold it back at times. Rating: B+

XX – The anthology genre over the years has been cluttered with some singularly focused male visions so it was about time we got some fresh female voices a space to shine. Sure, the final product ends up being about as mixed as most other anthologies, but there is some serious talent on display in each segment in some way shape or form and XX should definitely at the very least be on your radar when it’s released on DVD/Bluray May 23rd. Rating: C+

John Wick: Chapter 2 – The fist installment of the John Wick saga came out of nowhere with its weird comic book hitman universe. The sequel just stacks on the crazy around every corner with some clever set pieces and a sh*tload of headshots. If you don’t walk out ready for Chapter 3 then maybe you just really really hate dumb stylish fun. Rating: B+

Resident Evil: The Final Chapter – The Resident Evil franchise hasn’t been my thing for quite some time now. Each new film seems less connected to the actual video game than the next and instead opts to force in characters and foes from the game with little to no context. The Final Chapter is more of the same and the best part about it–assuming the title is a promise–is that it’s the last time we’ll have to endure any of it. Rating: D- 

A Dark Song – There are a lot of reasons why I don’t practice in the occult. A Dark Song just added one more pretty big reason–it’s friggin hard. Another reason on top of that–it takes a really long friggin time. A brooding character driven horror film that really swings for the fences during the finale which is as divisive as it is emotionally resonant. This is one that most will love or furiously hate. Somehow I was just on the outskirts of love. Rating: B

The Void – As a movie watcher I gravitate toward the horror genre. It’s a world I feel like I know and am comfortable in–in spite of having quite a few gaps in knowledge in the classics. When it comes to horror I’m a sucker for some crazy gore and awesome practical effects, both of which The Void has in spades. However, that’s about all it has. There’s a solid creepy villain near the end, the cult figures are cool looking and the idea is solid. Yet, there’s something lacking in the overall plot and the characters just feel flat. Still, you should probably check it out–at least once–when it hits Netflix this July (2017). Rating: C

Small Crimes – Speaking of Netflix, how about all the original content they’ve been churning out this year? Crazy right? When you tell me the director of Cheap Thrills has a sequel that came out via Netflix I couldn’t hit play fast enough. When it was all said and done, I probably could have waited a little bit and not rearranged my whole schedule to watch it. Now, that doesn’t mean it’s bad, it’s actually quite good. Not as good as Cheap Thrills though. The dark humor and sudden bursts of violence would make this a perfect middle movie for a Netflix Triple feature of Shimmer Lake (scroll down for that ‘review’), Small Crimes and I Don’t Feel at Home in This World Anymore (which is fantastic and there might be a ‘review’ below but as of writing this I haven’t added it to the backlog). Rating: B

Free Fire – After High Rise my stock in Ben Wheatley took a mild dive. Kill List is still a work of bleak art so no one can take that away. Then Free Fire happened. Holy cow, you guys. This movie is a blast. It’s also mostly kind of a one trick pony. It’s a good trick, but the circumstances at which all the mayhem goes down is pretty petty and ultimately uninspired. That doesn’t change the fact that watching things escalate and turn to sh*t wasn’t some of the funnest nonsense I’ve seen this year. Rating: B+

Colossal – I go to the movies to have a good time. Sometimes I go to be moved. Sometimes I go to learn a little about myself. Rarely do I get all three. Colossal isn’t the most profound movie I’ve ever seen, but it’s one of the most unique. I got some chuckles, it has some moving realizations and it more than once made me think about my own actions and words with some reverence. For that it is well worth your time and money, even if it is a little weird for its own good. Rating: B+

Guardians of the Galaxy Vol. 2 – I was tempted to just link to my review of the first movie and call it a day. Volume 2 is very much just a repackaged version of the original, but with a few more gadgets and upgrades attached. There’s sequences that I could have easily done without near the middle, but the end is enough to tweak everyone with a soft heart in the feels. Also, because it was so much like the original I couldn’t help but feel it wasn’t as fresh and surprising. Rating: B

Wonder Woman – Right in front street, Wonder Woman is hands down the best DC movie of the new batch–aka since the Nolan Batman movies. The bad news is that the bar was not very high–even I could limbo under that rotten stick. However, even that is undermining what WW accomplishes. The action is good, Gal Gadot is great as is her chemistry with Chris Pine on screen. The finale is dogsh*t. It’s so bad and unoriginal that it made me wonder if everything before it had tricked me. I don’t think that’s the case so in the end I think what we got was a genuine attempt at righting the ship at DC even if it forgot to drop some of its dead weight. Rating: B

It Comes at Night – Whenever someone asks me about this movie I always say simply this: good movie, sh*t marketing. Except to call out specifics of the marketing could spoil part of the movie for some, even if it would serve to align their expectations. It Comes at Night is a depressing movie. It’s misery porn at its most basic levels. The performances are great, the idea is solid and the director seems to know that less is more when it comes to making us scared and feeling dirty. However, the film shows us so little and tells us nothing that would make enduring the misery all that profound. Rating: C+

Rough Night – Have you seen Very Bad Things? Well, it’s that, but with a cast of women. The case could be argued that Rough Night is considerably less dark than VBT, but let’s face it, were taking about a comedy with a murder at its center. Once there’s a dead body it is tough to pick back up the funny and lets just say the cast tries very hard to do so with mixed to mediocre results. By mixed I mean mixed decent jokes that are still to easy to be considered that clever. All in all you’re money is best spent grabbing a bag of dick straws and having your own party at home. Rating: D

Shimmer Lake – Shimmer Lake, another in the growing line of Netflix Originals, is a weird little flick that for those patient enough to stick it out should feel at least a minicam of appreciation. For those like me, you’ll get a kick out of it. The film is a botched robbery told in reverse and if you are invested enough to not ask why it’s being told in reverse then you, like me, won’t feel like you guessed what was going on from the beginning. It’s certainly not perfect, but I found myself laughing and impressed by a first time filmmakers grasp on reverse storytelling from beginning to end. Rating: B

I Don’t Feel at Home in This World Anymore – I know, I’m not a fan of long bizarre titles either. But once you watch this movie you probably couldn’t think of a more appropriate title either. Fantastic performances end to end and a near perfect yarn of normal people in over their heads in a mostly realistic scenario. Macon Blair wow’ed everyone his performance in Blue Ruin, might as well let him do it with his directing chops as well. Rating: A

47 Meters Down – You can thank The Shallows for giving hope to the possible theatrical success of this one. Saved last minute from a direct-to-DVD release at zero hour this Mandy Moore vehicle’s most redeeming aspects come in the form of those who have a fear of being trapped underwater with sharks in nearly pitch black conditions. Bad CGI sharks and questionable twists hinder the movie’s ability to be all that effective, making it similarly pulpy when compared to The Shallows. Rating: C+

[Beer Reviews] Southern Tier Brewing Company’s Overpacked Mixed 15 Pack

Back when I first got into craft beer and drove to an area with vastly different distribution than what I’m used to one of the first brewiest I latched on to that weren’t readily available to me was Southern Tier. Of course, my first introduction was the wildly popular Pumking, but I also really dug releases like Live, 2XIPA, and their oak aged Unearthly. To this day when I find myself face to face with some of my favorites and new releases I do not hesitate to bring some home with me. Most recently I stumbled across their “new to me” mixed 15-pack jam packed with all new beers or new recipients I hadn’t had the chance to try–with the exception of Tangier. So with all that new, how could I resist the urge to chat/write about them?

Instead of deep diving into each beer like I would normally do with a full on beer review, this will be a collection of quick observations based on my own notes as I worked my way through this pack. Before we even begin I’ll lay down an unnecessary spoiler alert that if you can get this, then get it. Each beer is well worth introducing to your taste buds regardless of the fact that they might not redefine the beer landscape. 

2xSmash – I’ve never been one interested in following much a unified strategy when I sit down to enjoy multiple different styles of beer in a sitting. So naturally the first out of the pack is the single malt, single hop Double IPA. Pouring deep gold with a fingers worth of head and settling beautifully in the glass. Lots of malt and grapefruit on the nose which transitions nicely into the beer’s actual flavor profile. The initial smack of grapefruit smooths out over the palate finishing with a mostly pleasant malty backbone. A very balanced first impression of the pack that–for my taste–allows the malt to take over more than I generally look for. Rating: B

German Pils – Anyone who visits regularly (which lets be honest, is wishful thinking) may have noticed a bit of a drought on the page in recent months. The reasons have been two-fold. One is more of a focus on personal life (which includes work and my beautiful 18-month old daughter). The second is a bit of fatigue–both in other commitments with my movie opinions and with my tastes in craft beer. Over that time I’ve rekindled a love of the delights within light lagers. ST’s German Pils is a delightful take on the style that pours transparently golden with a soapy head. Visually the carbonations bubbles satisfyingly slide up the glass giving it a refreshing appearance. Light aramatics include noble hops and biscuity malts. The flavor profile is more hop forward than your traditional German Pilsner, but remains crisp, crackers and crushable–reminiscent of another American take on the style, Pivo, from Firestone Walker. Rating: B+

Citra Hopped Live – Fresh ST Live was a euphoric experience way back when I first had it. It became harder and harder to locate bottles within anything resembling why would be considered fresh whenever I was looking to buy some. Much to my delight I came across this pack with their updated recipe and well within the fresh threshhold. More of the same in its appearance. Golden beer with a soapy head and crisp citrusy nose–pineapple coming through predominantly. Much of the same on taste. Light mouthfeel, pineapple and crisp citrus finish. Refreshing, but maybe not quite as memorable as it once was even with the addition of one of my favorite hops. Rating: B (Sorry guys/gals. Must have forgot to get a pic of this one–I’ll update if I find it)

Tangier – I finished off a six pack of this well over a year ago and remember being uninspired by the overall drinking experience–again, not quite as fresh as I would have liked. Opening this I wasn’t expecting a lot having already had some preconceptions. However, fresh it has much of the same running theme of the pack overall–crushable. This is a relatively straightforward IPA with lots of sweet orange aromatics and present with the flavor profile. Finishes slightly bitter with some rind notes on the back end. Rating: B

Nu Skool IPA – To round out the pack it seemed right to finish it off with one of their newest offerings. This beer has strikingly similar appearance to the rest and the aromatics as well as the flavor profile comes together like aF rankenstein monster of all the other beers combined. A grapefruit citrus cocktail with a hint of crackery malt to carry it through, but with a stereotypical bitterness that lingers. An interesting take on their style of IPA that’ll certainly have its place poolside, but nothing that’ll blow your socks off and is a statement point for what you’re in for with all the beers in the pack. Rating: B

Overall – All rock solid beers, but it’s gettin’ hot around here so gimme more of that pilsner!

There ya go. Some hot takes on the five tasty beers in Southern Tier’s Overpacked mixed 15 pack. What say your beer drinkers? Have you had a chance to try all these? If so why are your favorites? Lemme know!

[Opinion] 2017 Summer Movie Predictions

You have in front of you the only summer movie prediction post guaranteed to get it all wrong. I’m not a Hollywood analyst out there tracking the interest of movie releases, nor am I an avid follower of the people that actually do that sort of thing. I’m just a dude who writes about beer and movie for fun that likes to swing wildly timely trends from time to time. 

Today, it’s ranking this summer’s (2017 for all you futuristic hobos slummin it on the net) movie releases in order of how well I think they’ll do at the box office–just the top ten though. If you read last year’s you already know how comically misinformed this is about it get. Now that we know the game though, let’s just get this over with so I can get back to my case of beer, shall we? 

(1) Spider-Man: Homecoming – With a trio of superhero tinged releases to pick from I am hedging my bets that people losing their sh*t at Spidey’s appearance in Civil War translates to big bucks this year. Or by the end of summer I’ll just go along ignoring how painfully wrong I always am and that’s why I don’t get paid the big bucks. I flip flopped this and number two around several times and I came down to putting this at the top as my Hail Mary. 

(2) Guardians of the Galaxy Vol. 2 – This could go either way really with my top 2. Personally, I’d rather see this rake up at the box office (I’ve seen it and it’s very good). In the end, it’s my fondness for Chris Pratt and the first flick driving my good will seeing as how this flick is basically everything you loved about the first one except more of it. Plus….baby Groot.  

(3) Despicable Me 3 – I don’t like the Despicable Me movies. I don’t like the minions. Yet, if there’s one thing I know it’s that audiences don’t care what I like and that’s why I think this is gonna make some nice cash. And since I don’t win or lose anything for being wrong, man do I hope it tanks…so we can end this sh*t once and for all. Unless my daughter loves it, in which case I’ll throw my hat into the ring to write the next one which will be rejected for being too depressing and violent. 

(4) Transformers: The Last Knight – Another movie franchise I hate that’s bound for a massive payday. Let’s forget that I have positively reviewed more than one Transformers flick–memory is a nasty thing–these movies are terrible. They are pretty to look at, despite how incomprehensible the action is, but pretty nonetheless. Please, for the love of God can we get anyone besides Bay to direct one of these?!

(5) Wonder Woman – Batman V Superman was so freaking disappointing that I hope Wonder Woman slays critically–but part of me knows it won’t. All the signs point to it being another ho hum DC adaptation that has its cheerleaders, but will fail to impress at Marvel levels. Of course that doesn’t mean it won’t make money–Dawn of Justice and Suicide Squad taught us that much. I just don’t think this will do AS well. 

(6) War For the Planet of the Apes – Let’s call this one wishful thinking. I love the new ‘of the Apes’ movies so much that I want this to wreck the box office and prove me wrong by being #1. However, I fear that even at #6 I’m being cautiously optimistic by a long shot. I definitely want a kick ass movie first, but success would be the cherry on top. 

(7) Pirates of the Caribbean: Dead Men Tell No Tales – It’s been a while so maybe it’s been long enough for the demand for these movies to creep back up. That’s what I’m betting on here at least. If the newest Alice in Wonderland taught us anything it’s that Depp isn’t the draw he once was even doing his annoying dress up schtick. This one could be a bit of a risk as I could see this flopping real hard even if it is well reviewed. 

(8) Cars 3 – Cars 2 was such a dud I’m shocked to even be talking about this. However, this is Pixar and they know how to make money, so it’d be even more shocking to not see this make the top 10. Hell this might even be a case where I’m not being generous enough. 

(9) Baywatch – This one is a real reach for me. I have no idea what kind of cultural pull Baywatch has. It is also going to be a test to see what kind of draw Dwayne Johnson is outside of the Fast & Furious movies (Moana excluded). We know Zac Efron can’t quite do it (Bad Grandpa) so the success of this is going to hinge on how strong the jokes are which should drive the word of mouth combined with The Rock’s star power. 

(10) Dunkirk – The Chris Nolan fanboy in me not only wants this to rake in money, but be of stellar quality. Interstellar didn’t really do it for me, so I’m hoping for a return to Inception and The Dark Knight form. However, being a period piece and not quite of the typical summer blockbuster brand this could fall well outside the top 10. Plus, it’s a late summer flick that won’t have much time to compete with the real heavy hitters. 

**** Wild Cards ****

The Emoji Movie – Let’s face it, we all use them. Some begrungingly, some out of necessity–but we use them. There has to be a curiosity to see how this translates to film and being an animated kids flick it’s going to make money–how much is real tough to tell. Plus, who doesn’t want to see how the poop emoji is handled? If this one lands in the top 10, it’ll be near the middle of the pack and not be as successful as Despicable Me or Cars. 

Alien: Covenant – I just don’t know, man. Prometheus is still a much debated flick to the point that analyzing Alien’s popularity still seems to be “of a type”. Horror buffs are gonna be there with bells on and deal with the love or disappoint on a case by case basis. The masses just might not give a sh*t anymore. If and I mean this is a big if this sneaks into the top 10 it’ll be near the bottom knocking off Dunkirk but be slightly more successful than Baywatch. 

The Mummy – This movie looks awful. I’m not even behind the idea of a this new Universal monster universe reboot as action horror flicks. Maybe I’ll be wrong and it’ll be a fun little popcorn flick–in fact I hope that’s what it is–but simply having Tom Cruise attached does not guarentee box office gold. If this makes it on the list I again believe it’ll at or near the bottom of te lake. 

What do you think will be 2017’s box office winner?

[Beer Review] 4 County Pale Ale by Kinkaider Brewing Company

Another April Fool’s Day and another fresh load of hoppy deliciousness from the gold folks at Kinkaider Brewing Company. Maybe you remember last year at this time they unleashed hours old bottles of their Frame the Butcher IPA throughout Nebraska–something that almost never happens in the Cornhusker state and something local politicians were recently trying to make impossible to ever happen again…but let’s not go there. This year Kinkaider chose this usually awful and obnoxious day to debut the updated recipe of their 4 County Pale Ale and have it available or in the hands of customers within hours–bottled April 1, 2017, delivered to stores April 1, 2017 in six packs of 12oz bottles and on draft.

Previously brewed exclusively with Cascade, the new recipe enlists the unique and broad qualities of Equinox, Citra, Cascade and 7C’s (which itself is a blend of Cascade, Centennial, Chinook, Cluster, Citra, Columbus and Crystal hops). The new and (SPOILER ALERT) improved version of 4 County Pale Ale pours very cloudy, settling into a reddish orange/amber color in the glass with a fingers worth of off-white head.   The beer is beautifully hazy (not turbid–like the trendy wave of New England Style hop bombs) showing distinct signs of being unfiltered and packed with glorious hop flavors.  (more…)

[Beer Review] Red Velvet by Ballast Point Brewing Company

bpredvelvet_tgofThe dessert beer is a tricky tart to perfect. Of course, opinions vary and some will swig down just about anything based on a name regardless if the beer actually delivers on the flavors it promises. The perils are real though. Dessert beers can verge on sickly sweet to flat out not being able to cash in on its promises. Ballast Point’s Red Velvet falls somewhere in the middle.

This review focuses on the release of the six pack of 12 oz nitro bottles that were recently released. As the bottle promises the beer is nitrogenated and pours light pink and cascades beautifully leaving a deep red hued beer with a creamy, slightly pink head that resembles cream cheese frosting. The aroma is lacking quite a bit with muted notes of light malts, vanilla and hints of chocolate.

It’s worth noting that this beer is an golden oatmeal stout with chocolate and natural flavors added. So, in being a “golden stout” it allows for the intense red color from the beets to come through so vividly. Before moving into the taste it’s also worth noting that I have never had a beet in my entire life. Prior to this beer I’ve only ever even had one beer that utilized beets and it was a sour…three years ago, so there’s no way to rely on my ability to recognize the actual beet characteristics of the use in this particular beer. If you’re lost, let me explain. (more…)

[Opinion] What’s So Great About ‘Shower Beer’

showerbeer_championbrewing_tgofshowerbeer_championbrewing_tgofShower beer. For some, that is a new and confusing term. Other’s its a relaxing escape from the stresses of everyday life. Ladies, you know how blissful it is to run a nice hot bath and sit back with some candles, maybe a nice glass of wine and just shut yourself off from the world. Shower beer, while arguably not as peaceful, rivals the other’s potential as a perfect way to unwind after a long hard day of adulting.

To clarify, neither activity is gender specific. Men and women alike can choose whatever path floats their boat. The question is–what is it about drinking a beer in the shower that makes it so damned satisfying? Then again, maybe you’ve done it and don’t see the appeal. Both sides can coexist believe it or not and whether you’re pro shower beer or have no idea what the draw is, neither of you are wrong.

On the pro side, surface level, there’s something freeing about being soapy and naked while drinking a beer without judgements–except your own if you catch a glimpse of your reflection in shiny silver shower knob. I’d have to have a whole lot more scientific experience in my background to give you any hard facts about whether or not it has any healing properties or other positive effects for the skin. From my perspective, it’s biggest draw is psychological at best and even that might be a stretch. (more…)

[Movie Review] ‘Logan’ Infuses Heart and Violence into a Potent Cocktail

logan_poster-tgofWhile superhero fatigue still has me in its icy grip, along comes Logan to warm that chill–at least temporarily. Perhaps it’s the, at times, overwhelming violence or the emotional vulnerability of being a new dad that makes the arc Wolverine’s final chapter that much more effective. Whatever way you look at it, Hugh Jackman’s curtain call as the claw wielding potty-mouth is a fitting and emotional bow that might rely a little too much on its R rating and hero cliches.

Picking up in 2029 where mutant residency has since passed, Logan spends his days driving a limo for drunk brides and frat boys chanting ‘Merica near the US/Mexico border. South of the border Logan lives with Caliban (Stephen Merchant) and an aged Charles Xavier (Patrick Stewart with his most powerful portrayal as Professor X to date) suffering dementia and the occasional population crippling seizure. With his health steadily declining and his body unwilling to heal like it used to Logan begrudgingly accepts to transport a young mutant, Laura (Dafne Keen), with powers strikingly similar to his own, North across the Canadian border and hopefully to safety away from the research facility tracking her down. (more…)

[Movie Review] ‘Get Out’ is an Enthralling Exploration of Social Fear Through Liberal Racism

getout_tgofposterJordan Peele, a name synonymous with clever biting commentary on social issues, has stepped into the cinematic ring and delivered a one-two punch that’s more potent than anything audiences have seen in a wide release horror flick in quite some time. Get Out leans a little bit more studio than recent critical darlings such as The Witch or It Follows, but has a punch all its own that rivals some of the best genre films of all time.

Whether or not Peele’s debut feature will stand the test of time is yet to be seen, but it’s hard to imagine something this sharp and witty to get pushed back in the annals of cinema history. No, it’s not just possible, but likely that Get Out is going to be talked about amongst critics and audiences alike for the foreseeable future. Exploring the simple yet all too real awkwardness of an African-American male meeting his Caucasian girlfriend’s parents and the weird stuff going on within the grounds of the family’s sizable estate. From scene one, Peele sets an uneasy yet humorous stage with an intro that features a black male waltzing in a suburban neighborhood at night before befalling something a little spooky. The racial factor is of course not lost on an audience of any race or gender, but is in fact a fear I’m sure we’ve all had walking late at night in unfamiliar territory–the possibility of being stalked by someone with less than noble intentions.  (more…)