The sights and sounds of war. That’s what Christopher Nolan’s Dunkirk is all about. Forget character and forget telling individual stories–this movie wants to put the audience on the front lines of land, air and sea to deliver an experience. Make no mistake, Dunkirk is one of the most incredible and unique cinematic experiences you’re likely to experience–and while there are a number of prolific filmmakers, few operate with such technical skill quite like Nolan.
The film tells the story of British forces trapped on the beaches of Dunkirk simultaneously awaiting rescue and intermittent air attacks at the hands of Nazi forces. Nolan’s focus is that of human resolve and wordless heroism. It is true, there are few characters you can attach yourself too, but that’s not the point. Dunkirk is a film you simply live as an audience member. In the grips of war, the British forces are constantly being bombed from the air as they await military boats to take them home–said boats are themselves under attack, so the soldiers are in a harrowing fight for survival. Dunkirk’s entirety pulls the audience from those breathless sequences to show intercutting sequences of a civilian boat headed to the beach to help save soldiers and the air forces en route to pick off the enemy planes attacking the boats. (more…)
With great power, comes great responsibility, John Watts. It’s one thing to have Spidey somewhat back in the hands of Marvel Studios, it’s a whole other thing to deliver a portrayal of Peter Parker’s alter ego that can wipe the slate clean from sins passed. Watts has come from ultra low budget horror, Clown, to helming what is hands down the greatest Spider-Man film to date.
Sam Raimi and Marc Webb both tried and–to certain degrees–failed to deliver crowd pleasing adventures for everyone’s favorite web-slinger. While these were not the first efforts to bring the character to the screen in one way or another, of the most modern attempts it would seem the third time (third iteration anyway) was the charm. Tom Holland’s first appearance in Captain America: Civil War gave legions of fans hope for the impending reboot as it certainly appeared that finally the tone and personality of Peter Parker and his arachnid alias had been captured. Spider-Man: Homecoming extends that and more with nearly the entire high school setting. (more…)
Busy time of year folks, so apologies to anyone who actually looks forward to my latest reviews. I didn’t want everything I’ve seen to fall by the wayside, so here are some brief thoughts on everything I’ve seen so far in 2017 but haven’t had time to sit down and put full write ups on. Sit back relax and “enjoy” some candid hot takes on these 2017 releases!
Kong: Skull Island – Come for the star studded cast then shove them aside for the awesome creature fights. Kong is visually impressive, but it lacks humanity in a pretty comical way. The characters very much feel like empty shells taking us from one place to another to be bait for the eventual breathtaking spectacle of the Kong fights. In spite of the lack of characters to hang your hat on this was still a pretty tremendous and crowd pleasing theater experience. Rating: B+
Gifted – Sort of let this one get lost in the shuffle. This is a very understated film. There was almost no marketing push and it just sort of appeared in theaters with little to no fanfare. If its still out there though, get out and see it. I could have used a little more closure for some of the relationships and perhaps a little more emotion out of Chris Evans’ character, but this has been the most affective dramas so far this year that also happens to have a pretty delightful sense of humor. Rating: A-(more…)
You have in front of you the only summer movie prediction post guaranteed to get it all wrong. I’m not a Hollywood analyst out there tracking the interest of movie releases, nor am I an avid follower of the people that actually do that sort of thing. I’m just a dude who writes about beer and movie for fun that likes to swing wildly timely trends from time to time.
Today, it’s ranking this summer’s (2017 for all you futuristic hobos slummin it on the net) movie releases in order of how well I think they’ll do at the box office–just the top ten though. If you read last year’s you already know how comically misinformed this is about it get. Now that we know the game though, let’s just get this over with so I can get back to my case of beer, shall we?
(1) Spider-Man: Homecoming – With a trio of superhero tinged releases to pick from I am hedging my bets that people losing their sh*t at Spidey’s appearance in Civil War translates to big bucks this year. Or by the end of summer I’ll just go along ignoring how painfully wrong I always am and that’s why I don’t get paid the big bucks. (more…)
While superhero fatigue still has me in its icy grip, along comes Logan to warm that chill–at least temporarily. Perhaps it’s the, at times, overwhelming violence or the emotional vulnerability of being a new dad that makes the arc Wolverine’s final chapter that much more effective. Whatever way you look at it, Hugh Jackman’s curtain call as the claw wielding potty-mouth is a fitting and emotional bow that might rely a little too much on its R rating and hero cliches.
Picking up in 2029 where mutant residency has since passed, Logan spends his days driving a limo for drunk brides and frat boys chanting ‘Merica near the US/Mexico border. South of the border Logan lives with Caliban (Stephen Merchant) and an aged Charles Xavier (Patrick Stewart with his most powerful portrayal as Professor X to date) suffering dementia and the occasional population crippling seizure. With his health steadily declining and his body unwilling to heal like it used to Logan begrudgingly accepts to transport a young mutant, Laura (Dafne Keen), with powers strikingly similar to his own, North across the Canadian border and hopefully to safety away from the research facility tracking her down. (more…)
In 2016 we saw Batman twice in theaters and for most of us, we left those two encounters less than enthusiastic. With Warner Bros. flailing wildly in need of a hit, in steps some tiny plastic toys to save the day. Even with as good as The LEGO Batman Movie is, it also amplifies how inept Batman vs. Superman: Dawn of Justice and Suicide Squad were at the most fundamental level–being entertaining. In a way, the latest in the Batman universe acts as a sincere apology for the aforementioned disappointments.
To be fair The LEGO Batman Movie has the benefit of irreverent humor that leans heavily in meta territory. The film exists in a world where Gotham City and its citizens are kind of tired of Batman’s shenanigans. Years of fighting bad guys and yet crime rates are as high as ever. Even Batman’s greatest enemy, Joker, has decided that he must concoct a new scheme to get the Caped Crusader in touch with his emotions. With the help of a recently adopted orphan, Dick Grayson, and the city’s new commissioner, Barbara Gordon, Batman embarks on a mission to save his tarnished reputation and the city. (more…)
It was a fairly quiet year of moviegoing here at TGoF. Lots of adjusting to life with a baby along with other typical life happenings that eat into one’s time and energy. The result made it difficult to fit in some of what many would consider the best movies of the year and being a genre lover I always make time for those pesky horror movies–which is why my lists tend to befuddle the more refined movie snobs. However, in review of the movies I saw this year and not being satisfied with the options for a top ten the executive decision was made to this year do a top five instead. Condensing down hopefully just accentuates how great I felt the top choices were as opposed to how weak (yet still highly rated) my overall top ten would have been.
Over the course of the next few weeks it’s possible I’ll make it out to cinema darlings like La La Land and and Moonlight, but for now hopefully you’re eyes will find my choices for what I did see in 2016 acceptable enough. As always thanks for checking out my ramblings and I look forward to getting back in the saddle more and more on 2017! (more…)
There are a great deal of Star Wars fans that will never know what it was like seeing the originally trilogy on the big screen during its original run. Sure, we can go to re-releases and restorations in hopes of capturing the same feeling that our parents and grandparents were treated to, but it will never truly be the same experience. I believe Rogue One has come the closest to achieving that feeling than any previous sequel or prequel has all the while blending new visuals and techniques with a twist on the old aesthetic of A New Hope.
Of course Rogue One picks up before the introduction of Luke, Han, Leia and Chewy with The Death Star just wrapping up its creation and a devastating weapons test on the horizon. The rebellion tasks a pair of rebels to track down and kill the lead scientist in charge of designing and overseeing the construction of the massive weapon. However, once a fraction of the Star’s destructive power is unleashed the rebellion loses hope and it’s up to a rogue collective to devise a plan to steal the ship’s plans to study and reveal its weaknesses. (more…)
On this edition of TGoF Hangover we examine two movies. One I was super pumped for and refused to believe it was anything less than amazing and the other a flick I couldn’t have cared less about before being dragged to it. The result is a dramatic switcharoo that I could never have predicted.
Well, here we are. The dust has somewhat settled and comic book nerds and movie critica are poised across from each other ready to have at it in an epic battle. Rotten Tomatoes continues to be an increasingly misunderstood tool in today’s society while the general public refuses to accept not everyone agrees on every movie. So much so that they become so angry and contradict themselves by saying everyone else is wrong and only positive stances are right. Batman Vs. Superman Dawn of Justice lit that fire earlier this year and Suicide Squad doused that dwindling flame in gasoline.
As someone who understands there are two sides to cinematic enjoyment and is not a die hard comic nerd I’m here to say that I can see where people will like Suicide Squad, but for my money it is not a good movie. David Ayer had all the right pieces to make the movie that everyone was hyped for in the trailers, but there seems to be a disconnect as to what the finished puzzle was supposed to be. The result is a jumbled mess with bits and pieces right where they are supposed to be. (more…)
Small town USA is rarely captured with the authenticity represented in David Mackenzie’s latest, Hell or High Water. Taylor Sheridan’s masterfully written screenplay certainly drives it all home and spot on performances from Chris Pine, Ben Foster and Jeff Bridges are just icing on the dusty cake.
A western in the time of conceal carries, iPhones, and security cameras. Hell or High Water’s contagious aesthetic lends to the timely economic message at the center of the film. Pine stars as Toby a poor rancher with a plan to rob a branch of banks, with the help of his brother Tanner (Foster), before the bank can foreclose on his ranch and seize control. Standing in their way is a grizzled Texas Ranger, Marcus (Jeff Bridges), hot on their trail.
There’s more to the story, but it behooves oneself to let Mackenzie and Sheridan settle you in and experience their story with as few details as possible. If it helps, picture Hell or High Water as the west Texas cousin of Ben Affleck’s, The Town. A handful of small town bank robberies low on gunplay and casualties allow the tension to slowly build. With the help of a wicked sense of humor the last act hits like a ton of bricks. (more…)