With great power, comes great responsibility, John Watts. It’s one thing to have Spidey somewhat back in the hands of Marvel Studios, it’s a whole other thing to deliver a portrayal of Peter Parker’s alter ego that can wipe the slate clean from sins passed. Watts has come from ultra low budget horror, Clown, to helming what is hands down the greatest Spider-Man film to date.
Sam Raimi and Marc Webb both tried and–to certain degrees–failed to deliver crowd pleasing adventures for everyone’s favorite web-slinger. While these were not the first efforts to bring the character to the screen in one way or another, of the most modern attempts it would seem the third time (third iteration anyway) was the charm. Tom Holland’s first appearance in Captain America: Civil War gave legions of fans hope for the impending reboot as it certainly appeared that finally the tone and personality of Peter Parker and his arachnid alias had been captured. Spider-Man: Homecoming extends that and more with nearly the entire high school setting. (more…)
Busy time of year folks, so apologies to anyone who actually looks forward to my latest reviews. I didn’t want everything I’ve seen to fall by the wayside, so here are some brief thoughts on everything I’ve seen so far in 2017 but haven’t had time to sit down and put full write ups on. Sit back relax and “enjoy” some candid hot takes on these 2017 releases!
Kong: Skull Island – Come for the star studded cast then shove them aside for the awesome creature fights. Kong is visually impressive, but it lacks humanity in a pretty comical way. The characters very much feel like empty shells taking us from one place to another to be bait for the eventual breathtaking spectacle of the Kong fights. In spite of the lack of characters to hang your hat on this was still a pretty tremendous and crowd pleasing theater experience. Rating: B+
Gifted – Sort of let this one get lost in the shuffle. This is a very understated film. There was almost no marketing push and it just sort of appeared in theaters with little to no fanfare. If its still out there though, get out and see it. I could have used a little more closure for some of the relationships and perhaps a little more emotion out of Chris Evans’ character, but this has been the most affective dramas so far this year that also happens to have a pretty delightful sense of humor. Rating: A-(more…)
You have in front of you the only summer movie prediction post guaranteed to get it all wrong. I’m not a Hollywood analyst out there tracking the interest of movie releases, nor am I an avid follower of the people that actually do that sort of thing. I’m just a dude who writes about beer and movie for fun that likes to swing wildly timely trends from time to time.
Today, it’s ranking this summer’s (2017 for all you futuristic hobos slummin it on the net) movie releases in order of how well I think they’ll do at the box office–just the top ten though. If you read last year’s you already know how comically misinformed this is about it get. Now that we know the game though, let’s just get this over with so I can get back to my case of beer, shall we?
(1) Spider-Man: Homecoming – With a trio of superhero tinged releases to pick from I am hedging my bets that people losing their sh*t at Spidey’s appearance in Civil War translates to big bucks this year. Or by the end of summer I’ll just go along ignoring how painfully wrong I always am and that’s why I don’t get paid the big bucks. (more…)
Jordan Peele, a name synonymous with clever biting commentary on social issues, has stepped into the cinematic ring and delivered a one-two punch that’s more potent than anything audiences have seen in a wide release horror flick in quite some time. Get Out leans a little bit more studio than recent critical darlings such as The Witch or It Follows, but has a punch all its own that rivals some of the best genre films of all time.
Whether or not Peele’s debut feature will stand the test of time is yet to be seen, but it’s hard to imagine something this sharp and witty to get pushed back in the annals of cinema history. No, it’s not just possible, but likely that Get Out is going to be talked about amongst critics and audiences alike for the foreseeable future. Exploring the simple yet all too real awkwardness of an African-American male meeting his Caucasian girlfriend’s parents and the weird stuff going on within the grounds of the family’s sizable estate. From scene one, Peele sets an uneasy yet humorous stage with an intro that features a black male waltzing in a suburban neighborhood at night before befalling something a little spooky. The racial factor is of course not lost on an audience of any race or gender, but is in fact a fear I’m sure we’ve all had walking late at night in unfamiliar territory–the possibility of being stalked by someone with less than noble intentions. (more…)
In 2016 we saw Batman twice in theaters and for most of us, we left those two encounters less than enthusiastic. With Warner Bros. flailing wildly in need of a hit, in steps some tiny plastic toys to save the day. Even with as good as The LEGO Batman Movie is, it also amplifies how inept Batman vs. Superman: Dawn of Justice and Suicide Squad were at the most fundamental level–being entertaining. In a way, the latest in the Batman universe acts as a sincere apology for the aforementioned disappointments.
To be fair The LEGO Batman Movie has the benefit of irreverent humor that leans heavily in meta territory. The film exists in a world where Gotham City and its citizens are kind of tired of Batman’s shenanigans. Years of fighting bad guys and yet crime rates are as high as ever. Even Batman’s greatest enemy, Joker, has decided that he must concoct a new scheme to get the Caped Crusader in touch with his emotions. With the help of a recently adopted orphan, Dick Grayson, and the city’s new commissioner, Barbara Gordon, Batman embarks on a mission to save his tarnished reputation and the city. (more…)
Here at TGoF Headquarters (aka my living room or wherever I happen to be consuming media) I don’t catch a whole lot of TV. It’s a shame really, as I’m sure I’ve missed out on some quality programming. However, it’s proven tough to keep interested in multiple shows at a time while also seeing as many movies as I have time for and keeping up with the hustle and bustle of daily life. When I can, binging has been the way to go for me and DVD or Netflix has been the way to go in that regard.
However, waiting for DVD introduces another set of issues–in the case of BrainDead its finding a top-notch ‘brainless’ piece of pulp entertainment only to learn later that it’s been cancelled. Of course, therein lies the silver lining–with only a season under its belt, BrainDead stuck around without ever having the chance to grow tiresome and as easily consumable as the show was, it’s easy to see it jumping the shark quickly…even for a show about brain eating bugs with a flair for politics. (more…)
On this edition of TGoF Hangover we examine two movies. One I was super pumped for and refused to believe it was anything less than amazing and the other a flick I couldn’t have cared less about before being dragged to it. The result is a dramatic switcharoo that I could never have predicted.
Well, here we are. The dust has somewhat settled and comic book nerds and movie critica are poised across from each other ready to have at it in an epic battle. Rotten Tomatoes continues to be an increasingly misunderstood tool in today’s society while the general public refuses to accept not everyone agrees on every movie. So much so that they become so angry and contradict themselves by saying everyone else is wrong and only positive stances are right. Batman Vs. Superman Dawn of Justice lit that fire earlier this year and Suicide Squad doused that dwindling flame in gasoline.
As someone who understands there are two sides to cinematic enjoyment and is not a die hard comic nerd I’m here to say that I can see where people will like Suicide Squad, but for my money it is not a good movie. David Ayer had all the right pieces to make the movie that everyone was hyped for in the trailers, but there seems to be a disconnect as to what the finished puzzle was supposed to be. The result is a jumbled mess with bits and pieces right where they are supposed to be. (more…)
The last batch of Fantasia Reviews is a doozy, so why don’t we just hop right in, shall we?
As a huge fan of HBO’s Silicon Valley I was extremely intrigued to check out one of the show’s sporadic writers, Carson Mell’s, directorial debut. Another Evil explores the uncomfortable world of bringing in an emotionally fragile individual into your vacation home to exorcise ghosts that are cramping your style–we’ve all been there, am I right?
The film is bolstered by a uniquely unsettling performance from Mark Proksch as Os, the socially challenged exorcist on the verge of divorce and a potential midlife crisis. In many ways his work calls to mind the great Mark Duplass and his performance in Creep, except…ya know, there are demons. As the audience we know there’s something supernatural afoot so Os’ intentions at first seem on the level, but after a while it’s unclear if he really has a gift or if he’s a lunatic with a glove that emits radio static. It all culminates with a troubling finale that drives home the ultra dark comedy by transforming into an even darker horror/thriller–with a touch of drama. (more…)
Somewhere between the exhausting back-and-forth will it or will it not happen of the Ghostbuster reboot and the official announcement, combined with the vehement nerd outrage, nerds lost sight of something very important. That a second version of something you love to exist is not the end of the world and that women don’t have cooties. Now there’s something even more dangerous for those anti-lady geeks to wrap their heads around–that the second version of that thing they love is actually pretty damn good and that those ghost busting ladies are perhaps the best thing about it.
I don’t say this often, but let’s just forget about the plot- the plot is not THAT different from the original Ghostbusters aside from some slight tweaks and some updated tech. The four new leads don’t quite have the same chemistry as Murray, Aykroyd, Ramis or Hudson, but they have chemistry all their own. This can be attributed to a lack of quality writing and forces the actors to ad lib their way around clunky dialogue. There isn’t a line as great as “If someone asks you you’re a god…you say YES!” There isn’t even as effective a big baddie as Zuul taking shape as the Stay Puft Marshmellow Man to hang your hat on. There are attempts at those things, but they are the “rebooted” aspects that drag the film down the most. Does that make it a bad move? Not even close. (more…)
It’s been a while and there are plenty of movies in my rear view so to conserve some space you can check out my reviews of some recently released flicks all in one place- as well as beer recommendations to go with. Read on to check out some reviews for the following: Warcraft, Angry Birds, Captain America: Civil War, Neighbors 2: Sorority Rising, Teenage Mutant Ninja Turtles: Out of the Shadows, Manson’s Lost Girls, and The Ones Below!
Zero. That is exactly the amount of not hours, not minutes, but seconds I’ve spent playing World of Warcraft. So what business have I to attempt to review a film that is so obvious in its attempts to please its fans? Technically none. As a fan of cinema and someone who tries to see anything and everything that I possibly can it behooves oneself to have a voice amongst those who are like me, but maybe are on the fence about spending money to see it. (more…)