One of the strongest aspects of this year’s IT was its youthful cast. So with the closure of Chapter One, one of the biggest questions for fans was, “Who’s gonna play who in the sequel?” As you may or may not know, Pennywise is an ancient evil that emerges for a period of time every 27 years to feed in the children of Derry.
Spoilers follow, so if you’re not wanting to be spoiled about the ending of IT or the surviving characters then you’d best turn away NOW. At the end of IT the Losers are able to successfully defeat Pennywise and force him into his 27 year slumber without feasting on a member of their club. To celebrate, the group makes a blood pact to return to Derry to fight Pennywise should It ever return to wreak havoc on the town again. (more…)
Don’t get swept up in thinking nostalgia is what lends to your percepted fond memories of the original 90’s IT mini-series. It’s pretty bad. Apart from Tim Curry’s always steady and reliable acting chops the mini-series is borderline unwatchable. Luckily, a fondness for the original is not a prerequisite for digging deep into MAMA director, Andy Muschietti’s delightful adaptation.
Not without its own issues (but we’ll get to that) the latest IT pulls from the classic Stephen King novel of the same name in which a handful of bullied youths that make up The Losers Club must band together to fight an ancient evil residing in their quaint town of Derry. Iconically, the evil takes the form of many of the character’s deepest fears, but it’s hands down favorite apprearance is a f***** up clown by the name of Pennywise (Bill Skarsgård). This adaptation finds Pennywise’s design that if a Victorian era clown with fiendishly evil facial expressions, but played interestingly enough by Skarsgård–alternating from over-the-top giggles to a guttural sinister tone that’s as inconsistent as it is unsettling at times. (more…)
Busy time of year folks, so apologies to anyone who actually looks forward to my latest reviews. I didn’t want everything I’ve seen to fall by the wayside, so here are some brief thoughts on everything I’ve seen so far in 2017 but haven’t had time to sit down and put full write ups on. Sit back relax and “enjoy” some candid hot takes on these 2017 releases!
Kong: Skull Island – Come for the star studded cast then shove them aside for the awesome creature fights. Kong is visually impressive, but it lacks humanity in a pretty comical way. The characters very much feel like empty shells taking us from one place to another to be bait for the eventual breathtaking spectacle of the Kong fights. In spite of the lack of characters to hang your hat on this was still a pretty tremendous and crowd pleasing theater experience. Rating: B+
Gifted – Sort of let this one get lost in the shuffle. This is a very understated film. There was almost no marketing push and it just sort of appeared in theaters with little to no fanfare. If its still out there though, get out and see it. I could have used a little more closure for some of the relationships and perhaps a little more emotion out of Chris Evans’ character, but this has been the most affective dramas so far this year that also happens to have a pretty delightful sense of humor. Rating: A-(more…)
Jordan Peele, a name synonymous with clever biting commentary on social issues, has stepped into the cinematic ring and delivered a one-two punch that’s more potent than anything audiences have seen in a wide release horror flick in quite some time. Get Out leans a little bit more studio than recent critical darlings such as The Witch or It Follows, but has a punch all its own that rivals some of the best genre films of all time.
Whether or not Peele’s debut feature will stand the test of time is yet to be seen, but it’s hard to imagine something this sharp and witty to get pushed back in the annals of cinema history. No, it’s not just possible, but likely that Get Out is going to be talked about amongst critics and audiences alike for the foreseeable future. Exploring the simple yet all too real awkwardness of an African-American male meeting his Caucasian girlfriend’s parents and the weird stuff going on within the grounds of the family’s sizable estate. From scene one, Peele sets an uneasy yet humorous stage with an intro that features a black male waltzing in a suburban neighborhood at night before befalling something a little spooky. The racial factor is of course not lost on an audience of any race or gender, but is in fact a fear I’m sure we’ve all had walking late at night in unfamiliar territory–the possibility of being stalked by someone with less than noble intentions. (more…)
Here at TGoF Headquarters (aka my living room or wherever I happen to be consuming media) I don’t catch a whole lot of TV. It’s a shame really, as I’m sure I’ve missed out on some quality programming. However, it’s proven tough to keep interested in multiple shows at a time while also seeing as many movies as I have time for and keeping up with the hustle and bustle of daily life. When I can, binging has been the way to go for me and DVD or Netflix has been the way to go in that regard.
However, waiting for DVD introduces another set of issues–in the case of BrainDead its finding a top-notch ‘brainless’ piece of pulp entertainment only to learn later that it’s been cancelled. Of course, therein lies the silver lining–with only a season under its belt, BrainDead stuck around without ever having the chance to grow tiresome and as easily consumable as the show was, it’s easy to see it jumping the shark quickly…even for a show about brain eating bugs with a flair for politics. (more…)
Turbulent, clever and frightening. Those are just a few of the most important takeaways from Adam Wingard’s, Blair Witch. Enthusiastic reviewers all over the internet like to throw around some lofty and hyperbolic quotes such as “game changer” or “one of the scariest movies ever made,” with the best of intentions. While the enthusiasm is catchy, Adam Wingard’s Blair Witch doesn’t fully embody either of those aforementioned descriptors.
Folks just can’t stay out of the Black Hills Woods as James (James Allen McCune) discovers a video online recovered from the outskirts of the woods that he believes shows his sister, Heather. Convinced she’s still alive James corrals three of his closest friends to venture into the Black Hills to figure out what happened to her.
Screenwriter Simon Barrett and director Wingard obviously use the original film as the basic bone structure for their unique take. The duo deviate from what we know about The Blair Witch Project simply to extrapolate a mythology of their own based on aspects of what we’ve already seen or suspected. This results in some of the film’s most interesting aspects, without innovating within the genre itself. (more…)
The last batch of Fantasia Reviews is a doozy, so why don’t we just hop right in, shall we?
As a huge fan of HBO’s Silicon Valley I was extremely intrigued to check out one of the show’s sporadic writers, Carson Mell’s, directorial debut. Another Evil explores the uncomfortable world of bringing in an emotionally fragile individual into your vacation home to exorcise ghosts that are cramping your style–we’ve all been there, am I right?
The film is bolstered by a uniquely unsettling performance from Mark Proksch as Os, the socially challenged exorcist on the verge of divorce and a potential midlife crisis. In many ways his work calls to mind the great Mark Duplass and his performance in Creep, except…ya know, there are demons. As the audience we know there’s something supernatural afoot so Os’ intentions at first seem on the level, but after a while it’s unclear if he really has a gift or if he’s a lunatic with a glove that emits radio static. It all culminates with a troubling finale that drives home the ultra dark comedy by transforming into an even darker horror/thriller–with a touch of drama. (more…)
Malevolent light sensitive ghosts, evil beds and invisible dads. This edition of the Tall Glass of Film Hangover touches some interesting points on the genre compass, two of which (Bed of the Dead and The Unseen) were screened as part of the 2016 Fantasia Film Festival. So sit back, relax and enjoy some of TGoF’s thoughts on a few upcoming flicks!
I’ve gotta be honest–I don’t think there was a chance in Hell that a three minute short would translate effectively into an 80 minute feature. Sure 80 minutes is lean and mean, but considering the lack of plot in David F. Sandberg’s original short for Lights Out was non-existent it’s reasonable to assume the feature wouldn’t remedy that to a significant degree. Luckily, I’m wrong a lot. Lights Out takes the smart route by setting up a simple story but hanging its success in the shoulders of a stellar cast and a relentless (but constantly recycled) barrage of scares.
Teresa Palmer stars as Rebecca, a concerned sister that has never had to shoulder real responsibility looking to possibly become the legal guardian of her brother, Martin (Gabriel Bateman). Martin hasn’t been sleeping because his mother, Sophie (Maria Bello), is on the verge of a mental break that has invited a dangerous specter, Diana, with deep ties to the family to enter all three of their lives once again. With CPS breathing down her neck Rebecca must find the secret to ridding the threat before it’s too late. (more…)
It’s been a while and there are plenty of movies in my rear view so to conserve some space you can check out my reviews of some recently released flicks all in one place- as well as beer recommendations to go with. Read on to check out some reviews for the following: Warcraft, Angry Birds, Captain America: Civil War, Neighbors 2: Sorority Rising, Teenage Mutant Ninja Turtles: Out of the Shadows, Manson’s Lost Girls, and The Ones Below!
Zero. That is exactly the amount of not hours, not minutes, but seconds I’ve spent playing World of Warcraft. So what business have I to attempt to review a film that is so obvious in its attempts to please its fans? Technically none. As a fan of cinema and someone who tries to see anything and everything that I possibly can it behooves oneself to have a voice amongst those who are like me, but maybe are on the fence about spending money to see it. (more…)
The way 10 Cloverfield Lane came out of nowhere (at least the marketing) just a month or two before its release reminds one of an exciting time. A time when we didn’t have a year or more to stew about an upcoming release and let the excitement slowly fade by the time it saw the light of day. A time where mystery can still exist in our theatrical experiences.
The less one knows about 10 Cloverfield Lane the better, but here’s the bare minimum just to cover all my bases. Michelle (Mary Elizabeth Winstead) is a woman running away from a relationship when she is in a terrible car accident. When she wakes, she finds herself in a stuffy bunker held by the mysterious and potentially dangerous, Howard (John Goodman). Howard informs her of an attack that happened and that she and another guest, Emmett (John Gallagher Jr.) may be living together in his shelter for what could be as long as two years. Michelle, must decide if Howard is indeed looking out for her best interest, or if her savior is harboring some questionable and unstable motives. (more…)