[Mega Movie Review] Catching Up on 2017

13886469_1267046413328617_7042198926381498825_nBusy time of year folks, so apologies to anyone who actually looks forward to my latest reviews. I didn’t want everything I’ve seen to fall by the wayside, so here are some brief thoughts on everything I’ve seen so far in 2017 but haven’t had time to sit down and put full write ups on. Sit back relax and “enjoy” some candid hot takes on these 2017 releases!

Kong: Skull Island – Come for the star studded cast then shove them aside for the awesome creature fights. Kong is visually impressive, but it lacks humanity in a pretty comical way. The characters very much feel like empty shells taking us from one place to another to be bait for the eventual breathtaking spectacle of the Kong fights. In spite of the lack of characters to hang your hat on this was still a pretty tremendous and crowd pleasing theater experience. Rating: B+

Gifted – Sort of let this one get lost in the shuffle. This is a very understated film. There was almost no marketing push and it just sort of appeared in theaters with little to no fanfare. If its still out there though, get out and see it. I could have used a little more closure for some of the relationships and perhaps a little more emotion out of Chris Evans’ character, but this has been the most affective dramas so far this year that also happens to have a pretty delightful sense of humor. Rating: A-

Raw – Coming out of the film festivals the press on this was touting how extreme it was and how it was causing audience members to faint or throw up. When the credits rolled I had one question: What kind of p****** were attending these screenings? I can’t fathom anyone watching this and feeling sick. The sound design is effective, but never to the point that I felt even the slightest bit nauseous. The film looks great, the central performance is quite good and the themes are intriguing…but color me disappointed that this is apparently what gets people worked up these days. Rating: C+

The Blackcoat’s Daughter – I have watched this film at least 4 times now. Each viewing has made it grow on me a little more each time. You’ll want to have been a fan of moody slow burns such as It Follows and The Witch for this one to be in your wheelhouse and if it is you’re in for a treat. Oz Perkins has a knack for creating an uneasy tone and depth to story without over explaining and hammering themes down your throat. Horror fans should quickly familiarize themselves with Perkins…that’s the moral of the story. Rating: B+ (inching ever so close to an A-)

The Devil’s Candy – When The Loved Ones FINALLY came out there was little that would convince me that Sean Byrne wasn’t going to be a horror breakout filmmaker and that his next film wouldn’t be my favorite one of the year. Get Out is going to make it tough for anything else to take that title this year, but even then I still don’t think The Devil’s Candy could pull it off. That being said, it is still pretty great. Byrne’s sophomore flick is tense and totally metal, but could have benefited from a more energetic sense of momentum. Rating: B+

Detour – If you don’t know the name Christopher Smith no one–including me–would blame you. If you haven’t seen any of the movies he’s made, shame on you. The director’s name is so plain that remembering it is understandable, but if you’ve seen and love his movies like I do you’d remember. Detour is just another road of twisty mind games to add to the road map of his career that’s also well worth your time–even if I don’t enjoy the acting chops of Tyr Sheridan. Rating: B+

The Girl With All the Gifts – Those clamorong for a The Last of Us film should know that you kind of already have one–and this is it. The storyline is not the same, but the film has so many aspects that mirror the game that it’s sort of surreal. The emotional resonance is lacking, but the thrills and mythology are more than enough to draw you to this one. It seems as if the creative team involved envisioned something even more ambitious, but budget constraints hold it back at times. Rating: B+

XX – The anthology genre over the years has been cluttered with some singularly focused male visions so it was about time we got some fresh female voices a space to shine. Sure, the final product ends up being about as mixed as most other anthologies, but there is some serious talent on display in each segment in some way shape or form and XX should definitely at the very least be on your radar when it’s released on DVD/Bluray May 23rd. Rating: C+

John Wick: Chapter 2 – The fist installment of the John Wick saga came out of nowhere with its weird comic book hitman universe. The sequel just stacks on the crazy around every corner with some clever set pieces and a sh*tload of headshots. If you don’t walk out ready for Chapter 3 then maybe you just really really hate dumb stylish fun. Rating: B+

Resident Evil: The Final Chapter – The Resident Evil franchise hasn’t been my thing for quite some time now. Each new film seems less connected to the actual video game than the next and instead opts to force in characters and foes from the game with little to no context. The Final Chapter is more of the same and the best part about it–assuming the title is a promise–is that it’s the last time we’ll have to endure any of it. Rating: D- 

A Dark Song – There are a lot of reasons why I don’t practice in the occult. A Dark Song just added one more pretty big reason–it’s friggin hard. Another reason on top of that–it takes a really long friggin time. A brooding character driven horror film that really swings for the fences during the finale which is as divisive as it is emotionally resonant. This is one that most will love or furiously hate. Somehow I was just on the outskirts of love. Rating: B

The Void – As a movie watcher I gravitate toward the horror genre. It’s a world I feel like I know and am comfortable in–in spite of having quite a few gaps in knowledge in the classics. When it comes to horror I’m a sucker for some crazy gore and awesome practical effects, both of which The Void has in spades. However, that’s about all it has. There’s a solid creepy villain near the end, the cult figures are cool looking and the idea is solid. Yet, there’s something lacking in the overall plot and the characters just feel flat. Still, you should probably check it out–at least once–when it hits Netflix this July (2017). Rating: C

Small Crimes – Speaking of Netflix, how about all the original content they’ve been churning out this year? Crazy right? When you tell me the director of Cheap Thrills has a sequel that came out via Netflix I couldn’t hit play fast enough. When it was all said and done, I probably could have waited a little bit and not rearranged my whole schedule to watch it. Now, that doesn’t mean it’s bad, it’s actually quite good. Not as good as Cheap Thrills though. The dark humor and sudden bursts of violence would make this a perfect middle movie for a Netflix Triple feature of Shimmer Lake (scroll down for that ‘review’), Small Crimes and I Don’t Feel at Home in This World Anymore (which is fantastic and there might be a ‘review’ below but as of writing this I haven’t added it to the backlog). Rating: B

Free Fire – After High Rise my stock in Ben Wheatley took a mild dive. Kill List is still a work of bleak art so no one can take that away. Then Free Fire happened. Holy cow, you guys. This movie is a blast. It’s also mostly kind of a one trick pony. It’s a good trick, but the circumstances at which all the mayhem goes down is pretty petty and ultimately uninspired. That doesn’t change the fact that watching things escalate and turn to sh*t wasn’t some of the funnest nonsense I’ve seen this year. Rating: B+

Colossal – I go to the movies to have a good time. Sometimes I go to be moved. Sometimes I go to learn a little about myself. Rarely do I get all three. Colossal isn’t the most profound movie I’ve ever seen, but it’s one of the most unique. I got some chuckles, it has some moving realizations and it more than once made me think about my own actions and words with some reverence. For that it is well worth your time and money, even if it is a little weird for its own good. Rating: B+

Guardians of the Galaxy Vol. 2 – I was tempted to just link to my review of the first movie and call it a day. Volume 2 is very much just a repackaged version of the original, but with a few more gadgets and upgrades attached. There’s sequences that I could have easily done without near the middle, but the end is enough to tweak everyone with a soft heart in the feels. Also, because it was so much like the original I couldn’t help but feel it wasn’t as fresh and surprising. Rating: B

Wonder Woman – Right in front street, Wonder Woman is hands down the best DC movie of the new batch–aka since the Nolan Batman movies. The bad news is that the bar was not very high–even I could limbo under that rotten stick. However, even that is undermining what WW accomplishes. The action is good, Gal Gadot is great as is her chemistry with Chris Pine on screen. The finale is dogsh*t. It’s so bad and unoriginal that it made me wonder if everything before it had tricked me. I don’t think that’s the case so in the end I think what we got was a genuine attempt at righting the ship at DC even if it forgot to drop some of its dead weight. Rating: B

It Comes at Night – Whenever someone asks me about this movie I always say simply this: good movie, sh*t marketing. Except to call out specifics of the marketing could spoil part of the movie for some, even if it would serve to align their expectations. It Comes at Night is a depressing movie. It’s misery porn at its most basic levels. The performances are great, the idea is solid and the director seems to know that less is more when it comes to making us scared and feeling dirty. However, the film shows us so little and tells us nothing that would make enduring the misery all that profound. Rating: C+

Rough Night – Have you seen Very Bad Things? Well, it’s that, but with a cast of women. The case could be argued that Rough Night is considerably less dark than VBT, but let’s face it, were taking about a comedy with a murder at its center. Once there’s a dead body it is tough to pick back up the funny and lets just say the cast tries very hard to do so with mixed to mediocre results. By mixed I mean mixed decent jokes that are still to easy to be considered that clever. All in all you’re money is best spent grabbing a bag of dick straws and having your own party at home. Rating: D

Shimmer Lake – Shimmer Lake, another in the growing line of Netflix Originals, is a weird little flick that for those patient enough to stick it out should feel at least a minicam of appreciation. For those like me, you’ll get a kick out of it. The film is a botched robbery told in reverse and if you are invested enough to not ask why it’s being told in reverse then you, like me, won’t feel like you guessed what was going on from the beginning. It’s certainly not perfect, but I found myself laughing and impressed by a first time filmmakers grasp on reverse storytelling from beginning to end. Rating: B

I Don’t Feel at Home in This World Anymore – I know, I’m not a fan of long bizarre titles either. But once you watch this movie you probably couldn’t think of a more appropriate title either. Fantastic performances end to end and a near perfect yarn of normal people in over their heads in a mostly realistic scenario. Macon Blair wow’ed everyone his performance in Blue Ruin, might as well let him do it with his directing chops as well. Rating: A

47 Meters Down – You can thank The Shallows for giving hope to the possible theatrical success of this one. Saved last minute from a direct-to-DVD release at zero hour this Mandy Moore vehicle’s most redeeming aspects come in the form of those who have a fear of being trapped underwater with sharks in nearly pitch black conditions. Bad CGI sharks and questionable twists hinder the movie’s ability to be all that effective, making it similarly pulpy when compared to The Shallows. Rating: C+

[Opinion] 2017 Summer Movie Predictions

You have in front of you the only summer movie prediction post guaranteed to get it all wrong. I’m not a Hollywood analyst out there tracking the interest of movie releases, nor am I an avid follower of the people that actually do that sort of thing. I’m just a dude who writes about beer and movie for fun that likes to swing wildly timely trends from time to time. 

Today, it’s ranking this summer’s (2017 for all you futuristic hobos slummin it on the net) movie releases in order of how well I think they’ll do at the box office–just the top ten though. If you read last year’s you already know how comically misinformed this is about it get. Now that we know the game though, let’s just get this over with so I can get back to my case of beer, shall we? 

(1) Spider-Man: Homecoming – With a trio of superhero tinged releases to pick from I am hedging my bets that people losing their sh*t at Spidey’s appearance in Civil War translates to big bucks this year. Or by the end of summer I’ll just go along ignoring how painfully wrong I always am and that’s why I don’t get paid the big bucks. I flip flopped this and number two around several times and I came down to putting this at the top as my Hail Mary. 

(2) Guardians of the Galaxy Vol. 2 – This could go either way really with my top 2. Personally, I’d rather see this rake up at the box office (I’ve seen it and it’s very good). In the end, it’s my fondness for Chris Pratt and the first flick driving my good will seeing as how this flick is basically everything you loved about the first one except more of it. Plus….baby Groot.  

(3) Despicable Me 3 – I don’t like the Despicable Me movies. I don’t like the minions. Yet, if there’s one thing I know it’s that audiences don’t care what I like and that’s why I think this is gonna make some nice cash. And since I don’t win or lose anything for being wrong, man do I hope it tanks…so we can end this sh*t once and for all. Unless my daughter loves it, in which case I’ll throw my hat into the ring to write the next one which will be rejected for being too depressing and violent. 

(4) Transformers: The Last Knight – Another movie franchise I hate that’s bound for a massive payday. Let’s forget that I have positively reviewed more than one Transformers flick–memory is a nasty thing–these movies are terrible. They are pretty to look at, despite how incomprehensible the action is, but pretty nonetheless. Please, for the love of God can we get anyone besides Bay to direct one of these?!

(5) Wonder Woman – Batman V Superman was so freaking disappointing that I hope Wonder Woman slays critically–but part of me knows it won’t. All the signs point to it being another ho hum DC adaptation that has its cheerleaders, but will fail to impress at Marvel levels. Of course that doesn’t mean it won’t make money–Dawn of Justice and Suicide Squad taught us that much. I just don’t think this will do AS well. 

(6) War For the Planet of the Apes – Let’s call this one wishful thinking. I love the new ‘of the Apes’ movies so much that I want this to wreck the box office and prove me wrong by being #1. However, I fear that even at #6 I’m being cautiously optimistic by a long shot. I definitely want a kick ass movie first, but success would be the cherry on top. 

(7) Pirates of the Caribbean: Dead Men Tell No Tales – It’s been a while so maybe it’s been long enough for the demand for these movies to creep back up. That’s what I’m betting on here at least. If the newest Alice in Wonderland taught us anything it’s that Depp isn’t the draw he once was even doing his annoying dress up schtick. This one could be a bit of a risk as I could see this flopping real hard even if it is well reviewed. 

(8) Cars 3 – Cars 2 was such a dud I’m shocked to even be talking about this. However, this is Pixar and they know how to make money, so it’d be even more shocking to not see this make the top 10. Hell this might even be a case where I’m not being generous enough. 

(9) Baywatch – This one is a real reach for me. I have no idea what kind of cultural pull Baywatch has. It is also going to be a test to see what kind of draw Dwayne Johnson is outside of the Fast & Furious movies (Moana excluded). We know Zac Efron can’t quite do it (Bad Grandpa) so the success of this is going to hinge on how strong the jokes are which should drive the word of mouth combined with The Rock’s star power. 

(10) Dunkirk – The Chris Nolan fanboy in me not only wants this to rake in money, but be of stellar quality. Interstellar didn’t really do it for me, so I’m hoping for a return to Inception and The Dark Knight form. However, being a period piece and not quite of the typical summer blockbuster brand this could fall well outside the top 10. Plus, it’s a late summer flick that won’t have much time to compete with the real heavy hitters. 

**** Wild Cards ****

The Emoji Movie – Let’s face it, we all use them. Some begrungingly, some out of necessity–but we use them. There has to be a curiosity to see how this translates to film and being an animated kids flick it’s going to make money–how much is real tough to tell. Plus, who doesn’t want to see how the poop emoji is handled? If this one lands in the top 10, it’ll be near the middle of the pack and not be as successful as Despicable Me or Cars. 

Alien: Covenant – I just don’t know, man. Prometheus is still a much debated flick to the point that analyzing Alien’s popularity still seems to be “of a type”. Horror buffs are gonna be there with bells on and deal with the love or disappoint on a case by case basis. The masses just might not give a sh*t anymore. If and I mean this is a big if this sneaks into the top 10 it’ll be near the bottom knocking off Dunkirk but be slightly more successful than Baywatch. 

The Mummy – This movie looks awful. I’m not even behind the idea of a this new Universal monster universe reboot as action horror flicks. Maybe I’ll be wrong and it’ll be a fun little popcorn flick–in fact I hope that’s what it is–but simply having Tom Cruise attached does not guarentee box office gold. If this makes it on the list I again believe it’ll at or near the bottom of te lake. 

What do you think will be 2017’s box office winner?

[Best of 2016] TGoF’s Picks for the Best Movies of 2016

It was a fairly quiet year of moviegoing here at TGoF. Lots of adjusting to life with a baby along with other typical life happenings that eat into one’s time and energy. The result made it difficult to fit in some of what many would consider the best movies of the year and being a genre lover I always make time for those pesky horror movies–which is why my lists tend to befuddle the more refined movie snobs. However, in review of the movies I saw this year and not being satisfied with the options for a top ten the executive decision was made to this year do a top five instead. Condensing down hopefully just accentuates how great I felt the top choices were as opposed to how weak (yet still highly rated) my overall top ten would have been.

Over the course of the next few weeks it’s possible I’ll make it out to cinema darlings like La La Land and and Moonlight, but for now hopefully you’re eyes will find my choices for what I did see in 2016 acceptable enough. As always thanks for checking out my ramblings and I look forward to getting back in the saddle more and more on 2017! (more…)

Movie Review(s): Exists, Everly and John Wick

exists_postertgofAs a horror lover I watch a whole lot of monster movies. Vampires, werewolves, aliens, you name it I have seen a healthy dose of them all. I have to say I’m shamefully low on Bigfoot movies though- unless of course you count HARRY AND THE HENDERSONS in the horror genre. The big guy seems to be making a comeback though with Bobcat Goldthwait’s WILLOW CREEK and now Eduardo Sanchez’s EXISTS- I’m sure there are plenty more, but let’s just stick with these two as the more “popular” examples. Sanchez’s film while shockingly low on the character side delivers more of the monster goods than Goldthwait’s character driven film. Together, they could make for a pretty solid double feature, or even splice them together to make the ultimate Bigfoot experience.

EXISTS follows five twenty somethings on their way out to a cabin owned by the uncle of the two brother’s who organized the trip. While traveling late at night and filming their hilarious beard burning prank on one of their friends they hit something, something relatively large. Unconvinced that it was anything to be concerned over they continue their journey. Once they arrive at the cabin they begin to hear some howling in the distance and assume it’s the wailing of an animal that they had struck. Before long, it’s pretty evident that they are not even remotely safe as something has tracked them down and is not too keen on letting them leave in one piece. (more…)

Movie Review: This Is Where I Leave You

thisiswhereileaveyou_posterI like Jason Bateman and all, but isn’t it about time we start expecting just a little bit more from him? Not that he’s bad in anything you see him in- he generally manages to elevate even the typical boring rom com with his presence. Yet as likable as it often is, I just want a little bit more than just “likable dude who can’t catch a break” or “likable dude who can’t catch a break, but I’m taking it all in stride.” With the exception of this year’s BAD WORDS, I haven’t really seen him in anything where he deviates a bit from his normal routine (except for maybe THE CHANGE-UP). THIS IS WHERE I LEAVE YOU despite having about as bland a title as you can get finds him doing more of the same- likable dude who seriously can’t catch a break.

Waking up for work is generally the low-point of most working sitff’s days, but for Judd it was just the start. He seems to enjoy his job, until he goes home after work one day to find his boss, Wade (Dax Shepard), having sex with his wife, Quinn (Abigail Spencer). To make matters worse, he gets a call from his sis, Wendy (Tina Fey) that their father had just passed away. To make matters even worse he finds out after the funeral that it was his father’s dying wish that the family sit Shiva and reconnect while they mourn his passing. That normally might not sound so bad, except that Judd now has to sit for seven days with his mom and siblings, who he doesn’t really like all that much. With the stress of his imploding marriage, dead father and nagging family Judd is in need of distraction- which he finds in Penny (Rose Byrne). With Penny’s help Judd is able to find a little bit of clarity amongst the chaos though his dysfunctional family continues to complicate things around every turn. (more…)

Movie Review: Gone Girl

gonegirl_posterMaybe it’s just me, but the institution of marriage is really taking heavy fire from a cinematic standpoint this year. Or Maybe in previous years I just didn’t watch enough movies about marital relationships. I’ve been witness to a marriage plagued by a serial killer (A GOOD MARRIAGE), newlyweds prey to mysterious forces tearing them apart (HONEYMOON) and a dramedy featuring a marriage falling apart from infidelity and a past miscarriage (THIS IS WHERE I LEAVE YOU). Now there’s GONE GIRL, a thriller from David Fincher featuring a marriage of two people so messed up that they are perfect for each other. Fincher’s film is haunting, tense and depressingly brilliant in how it presents, in extremes, what marriage can do to people and the faces we put on for those watching us.

Nick (Ben Affleck) and Amy (Rosamund Pike) are a married couple about to celebrate their 6th wedding anniversary. When Nick comes home in the middle of the afternoon he finds his living room showing signs of a break in and Amy is missing. Amy as it turns out is the inspiration for her mom’s bestselling book series character Amazing Amy which helps to turn the investigation into an over-the-top media circus. Nick increasingly becomes the target of the investigation and villain in the eyes of the media even as he cooperates unflinchingly with the police. The question still remains though; is Nick the concerned husband he seems to be or is he hiding something that could be the key to finding Amy. (more…)

The Top 10 Films of 2010

It’s that time of year, where you stop and reflect on what movies had the greatest impact on you throughout the long year. It’s that time of year where the web is littered with lists of the top films of the year; many of them incredibly similar and several that are dramatically different. There’s a wide variety of tastes out there so the movies that some people love other people hate, but there’s usually always at least a few that everyone agrees on. Regardless of my opinion on other people’s lists they are always a lot of fun to read and compare.

The problem I run in to when I sit down to make a list is that when I’m making it I love the films so much that when I put a film at the bottom I feel like I should move it towards the top, or if I leave one out I want to edit the list to include it. I also do not get a chance to see several films that might be on other lists that may very well be great movies; I just don’t get a chance to see every single release. The other factor in the list comes as I have a chance to watch and re-watch movies and I start enjoying them even more or finding less to enjoy than I did the first time.

I tried as hard as I could to pick out titles that wouldn’t be on every other top ten list, and I still have yet to see several movies that get quite a bit of audible praise such as THE FIGHTER, THE KING’S SPEECH, THE KIDS ARE ALRIGHT and ANIMAL KINGDOM to name a few. As is common this time of year and going into next year when I get a chance to see everything I missed out on my list could look a whole lot different, and some may not be considered the best films of the year, but are merely my personal favorites. Over the years especially last year some of my favorites eluded Oscar gold, such as DISTRICT 9 (my favorite from 2009), THE ROAD and MOON for example all had regular rotation in my DVD player and even graced selected top ten lists but not all were widely considered the best of the year. That is the great thing about top ten lists; they are all subjective and open for interpretation and are all based on personal bias. The controversial nature of lists are why they are so much fun to construct especially at the end of the year; so without further ado here are my top picks for the year 2010.

10. The Town – I remember back when I reviewed Ben Affleck’s THE TOWN I originally came off as though I enjoyed it but that its middle section of sappy love story really harmed the film as a whole. While I still feel the film would have been better off shying away slightly and focusing more on the heists and cop drama, THE TOWN is still a very solid heist thriller/drama. Ben Affleck and Jeremy Renner give fantastic performances and the heist sequences are intensely thrilling. THE TOWN is one of those movies where my first impression may not have been entirely fair.

9. Scott Pilgrim vs. The World – Here’s another pick that I really enjoyed after seeing it, but not being completely sold on how high quality it was. When I finally got to watch it again I ended up loving it more and re-watching it several more times in a row. I still don’t think the romance is completely fleshed out enough to really buy into the gravity of the situation, but with the humor and the fantastic video game visuals and references, SCOTT PILGRIM VS. THE WORLD is easily a classic for me. It’s such a shame that it got so overlooked during its time in theaters.

8. Buried – I had originally planned on using one spot for a trio of films that employ a minimal setting or character trapped in one location, but instead saved the spot for my favorite of the three. The others each will get a well deserved honorable mention though. BURIED is a film that surprised the hell out of me; I could not fathom how a movie that is literally one location for the entire 90 minutes could be memorable. Rodrigo Cortes pulls out every trick in the book to make being stuck in a wooden box as thrilling, scary and engaging as it can possibly be and in the end I haven’t felt that feeling of claustrophobia in the middle of an open theater as I did during BURIED. Ryan Reynold’s puts one of my favorite performances of the year even if it’s not THE best performance of the year. I cannot say enough good things about the film and it was actually extremely difficult to put it so low on the list.

7. Shutter Island – I had no interest in SHUTTER ISLAND when the buzz was floating around; largely because the trailer did not catch my eye and the story it wanted to tell seemed very boring. I’m glad I didn’t follow my initial instinct to skip it because when it was over I was completely turned around on it. When the credits rolled I knew I had liked the film but the beauty and genius of the film was that it all just builds on you to the point that you can’t help but want to re-watch the film so you can experience it knowing what you now know and it’s not until you do watch it again that you can fully appreciate the film. Leonardo DiCaprio is phenomenal and it’ll be a shame if he doesn’t get even a small bit of recognition for his performance, which I think he’s bound to be overlooked due to a field full of fantastic performances.

6. Toy Story 3 – I might be a little more enthusiastic about this pick had I not watched it at least 30 or more times with kids from my own family and so on. However, this is my favorite of the TOY STORY movies; aside from another film on the list I haven’t felt such a feeling of wonder and emotion in an animated feature quite like I did with TOY STORY 3. There’s a certain scene dealing with such finality that deeply affects me every time I watch it and is also more emotionally devastating than anything I’ve been used to in these family friendly Disney films.

5. True Grit – If there is anything to be learned from my list to this point it’s that first impressions are never quite right. I really enjoyed TRUE GRIT, but again as with other films on the list I just didn’t feel blown away by it. I found it visually amazing with its fantastic cinematography and the performances we great across the board but I just wasn’t sure if the story intrigued me as much as the rest. While that might still be the case it’s visually arresting, funny and acted extremely well and likely will have great replay value on those aspects alone.

4. How To Train Your Dragon – Before TOY STORY 3 was released I had already had that feeling of being a kid again with Dreamwork’s fantastic dragon adventure. Everything about this film is pretty simple but is executed in the best possible way. The score is fantastic the animation is gorgeous especially in the climactic battle with the enormous dragon spitting fire erratically into the air and the emotional journey just hit all the right chords for me. This is the only 3D movie I saw in theaters and didn’t feel like I was cheated out of my money, and even on DVD without the 3D it’s impossible for me not to love it.

3. The Social Network – I had a headache after watching this film; with all the characters just spitting computer lingo centered dialogue at the screen without stopping to breathe. You never could have anticipated that a movie about the creation of a website could be so tense and engaging but David Fincher pulls it off with astounding ease. I was extremely impressed by the end that a film full of basically nothing but pure dialogue could prevent me from feeling bored during several scenes, but here the time flew by.

2. Inception – The top two was an extremely difficult decision; in many ways I’d almost consider it a tie since they are two completely different types of films. INCEPTION is a film that has managed to make me second guess everything I thought I understood every single time I watch it no matter how many times I tell myself what I think the answer is. Christopher Nolan is a phenomenal filmmaker and INCEPTION is easily my personal favorite of his movies. I loved every character, the score, all the action and the ambiguous ending; but it’s the shifting gravity hallway fight that will go down as one of my favorite scenes of all time.

1. Black Swan – I lost track of all the times I’ve had to write and re-write all ten of my choices. When I replay moments of each movie in my head it becomes harder and harder to choose. When I walked out of BLACK SWAN I knew that it had to be somewhere near the top just by the way it made me feel when the credits started rolling. Ultimately, I am a person who loves a challenging psychological thriller and effective horror. While BLACK SWAN is not your typical type of horror film there are some extremely frightening aspects to the film that had me gripping my seat till the very end. This film was a journey that left me extremely rattled at the end and I love it for that reason.


127 Hours – Anchored by the phenomenal performance by James Franco

Frozen – Elevated by a trio of solid performances and an extremely tense tone.

Kick Ass – Very funny and exciting entry into the world of comic book movies.