Happy Friday the 13th! In honor of the day I was able to take in a couple of screenings for some smaller movies–not related to The Rock punching a building or Adam Sandler sucking in ways unrelated to his non-animated work–that you should be able to take a gander at beginning, well today (7/13/18). Leave No Trace stars the ever talented Ben Foster as a tortured vet who prefers living off-the-grid with his daughter until their all natural life is uprooted and they are forced to integrate back into society. Then, we’ll dip into the volatile world of found footage horror with The Devil’s Doorway, a scathing exploration of religion that dives into dark recesses of hell and the mysterious supernatural–good times were had by all. PS….children doing weird sh*t in the dark is never not scary.
Leave No Trace
Generally, when you consider the idea of a homeless individual one’s natural instinct is to assume that this is an individual with no means to secure a roof over their head. It’s not unreasonable to assume very few have ever considered the idea that the people they’ve encountered and assumed were homeless are choosing to live that way–and–if you choose to live out in the open, are you really homeless?
Such is the case with Debra Granik’s latest picture, Leave No Trace, which finds Will (Ben Foster) and his daughter Tom (Thomasin McKenzie) living out in the woods surrounding Portland, Oregon. Not struggling to survive, not out on the streets begging for money or shelter, but living off the land with the supplies they have–and buying goods from selling expired meds that Will was once given to ward off his PTSD. However, despite how carefully Will trained his daughter to be in the lookout for people roaming the woods they are plucked from their nook and forced back into society to try to assimilate back as productive normal on-the-grid schmucks. This proves to be too much for the tortured Will to bare and his insistence to go back to normal becomes the wedge that may drive he and Tom apart now that she’s gotten a taste of what it’s like to be a part of a normal society. (more…)
Did I miss the memo? Is being involved in some weird occult/cult shenanigans all the rage now? The Endless, Pyewacket, and now Hereditary are riding high in many critical circles and each have their own little twist on the taboo. So, if spreading funky juju all over my essence is now the in thing then apparently my Saturday night is all booked up. Oh yeah, and this tiny little indie movie came out this weekend, Incredibles 2, maybe you’ve heard of it. I don’t think I need to explain why these two movies are different, but they’re similar only for the fact that they have to deal with the complexities of family. Also, one has way fewer beheadings than the other–let’s find out which one, shall we?
A couple weeks have passed since I first screened Hereditary and there is one thing I can say for certain–not a day has passed that I haven’t thought about it. Granted a lot of it was people asking me what I though and if it was as amazing and scary as the ads and critics had said it was. Putting it right out there, as I walked out of the theater I was extremely conflicted and two weeks later not much else as changed. I’m still of the mind that I like this movie, and the one thing I’m fairly certain about is that it’s absolutely not the horror juggernaut that the marketing has billed it as. In fact, unless you don’t regularly watch horror movies it’s not all that scary. It’s unsettling and there’s lots of disturbing visuals, but I never once worried about sleeping at night–and neither should you. (more…)
Not gonna waste any time, since it’s been a bit since I’ve last checked in. I’ve got 3 reviews of vastly different movies with one of them being about a decade in the making. So strap in and enjoy!
Every indie director has that moment where their constant struggle to break into the mainstream or to just be gifted with the means to make a film without it feeling like pulling teeth in regards to time, budget and studio cooperation, hits its peak. From there the powers that be finally recognize the talent and make things happen for these filmmakers. If there is any cinematic justice in this world then The Endless is that moment for Justin Benson and Aaron Moorhead.
Blessed by a tremendous marketing campaign including a series of jaw dropping posters, The Endless is a special kind of mind warping weirdness that simply has to be seen if you’re even a fringe genre fanatic. Of course there’s no guarantee you’ll love it as deeply and enthusiastically as this reviewer, but for the sheer ambition of it all, Benson and Moorhead are owed your attention.
Starring the filmmakers themselves as brothers returning to a cult they escaped a decade earlier for a day long visit they find themselves confronted with the possibility that their memory of the compound and the beliefs of the members may not be as crazy as they once thought. (more…)
The flu is the pits. Like anyone in the history of ever has ever really needed to justify that sentence. Yes, the flu and various other illnesses/concerns kept me down and out over the last couple of weeks hindering my ability (eh, at least my desire) to be productive. This in turn has assured that I would fall behind on a couple of movie reviews which got kicked down far enough to combine a number of goings on in the world of this busy dad.
Today’s update will take us through reviews of Alex Garland’s stellar sci-fi drama Annihilation and the surprisingly hilarious thrills of Game Night. After that I’ll dabble into the ever changing landscape of Toppling Goliath Brewing Company’s canned beers–including their badass can designs–before capping the post off to express the excitement behind what will be my first appearance at an Omaha Film Festival event as the fest kicks off this week. Let’s dig in, shall we? (more…)
Note: The new changes are still in the works, while I work on getting them integrated fully below you’ll fine a taste of what I expect to be the norm for posts on this page. A mixture of life updates, movie/tv/beer reviews.
What’s on tap for today?
Countless other parents before me know the endless barrage of incoherent insanity that comes with the daily life of a two year old. I’m not sure anything prepared me for a photo shoot with TWO two year olds and the resulting absurdism that enfolded. Next, the wife and I took the world’s most annoyingly consumer driven holiday and had ourselves a date night which included some sushi and a trip to the Alamo Drafthouse for a ‘Rowdy Screening’ of Fifty Shades Freed. Lastly, I revisit my childhood to recount a cartoon I’m thinking I didn’t really understand or appreciate for my age at the time…Duckman.
It’s been at least a week now since Valentine’s Day came and went stealing depressing amounts of money from the pockets of men and women alike. Forcing ourselves to buy gifts on a designated day that prove to our SOs that we love them–cause, ya know…how else would they know? Anyway, to commemorate the holiday it was decreed that we take girly girl to a studio and get her pictures taken in a super adorable dress that my wife picked out, that was also on sale (score!). (more…)
Busy time of year folks, so apologies to anyone who actually looks forward to my latest reviews. I didn’t want everything I’ve seen to fall by the wayside, so here are some brief thoughts on everything I’ve seen so far in 2017 but haven’t had time to sit down and put full write ups on. Sit back relax and “enjoy” some candid hot takes on these 2017 releases!
Kong: Skull Island – Come for the star studded cast then shove them aside for the awesome creature fights. Kong is visually impressive, but it lacks humanity in a pretty comical way. The characters very much feel like empty shells taking us from one place to another to be bait for the eventual breathtaking spectacle of the Kong fights. In spite of the lack of characters to hang your hat on this was still a pretty tremendous and crowd pleasing theater experience. Rating: B+
Gifted – Sort of let this one get lost in the shuffle. This is a very understated film. There was almost no marketing push and it just sort of appeared in theaters with little to no fanfare. If its still out there though, get out and see it. I could have used a little more closure for some of the relationships and perhaps a little more emotion out of Chris Evans’ character, but this has been the most affective dramas so far this year that also happens to have a pretty delightful sense of humor. Rating: A-(more…)
You have in front of you the only summer movie prediction post guaranteed to get it all wrong. I’m not a Hollywood analyst out there tracking the interest of movie releases, nor am I an avid follower of the people that actually do that sort of thing. I’m just a dude who writes about beer and movie for fun that likes to swing wildly timely trends from time to time.
Today, it’s ranking this summer’s (2017 for all you futuristic hobos slummin it on the net) movie releases in order of how well I think they’ll do at the box office–just the top ten though. If you read last year’s you already know how comically misinformed this is about it get. Now that we know the game though, let’s just get this over with so I can get back to my case of beer, shall we?
(1) Spider-Man: Homecoming – With a trio of superhero tinged releases to pick from I am hedging my bets that people losing their sh*t at Spidey’s appearance in Civil War translates to big bucks this year. Or by the end of summer I’ll just go along ignoring how painfully wrong I always am and that’s why I don’t get paid the big bucks. (more…)
It was a fairly quiet year of moviegoing here at TGoF. Lots of adjusting to life with a baby along with other typical life happenings that eat into one’s time and energy. The result made it difficult to fit in some of what many would consider the best movies of the year and being a genre lover I always make time for those pesky horror movies–which is why my lists tend to befuddle the more refined movie snobs. However, in review of the movies I saw this year and not being satisfied with the options for a top ten the executive decision was made to this year do a top five instead. Condensing down hopefully just accentuates how great I felt the top choices were as opposed to how weak (yet still highly rated) my overall top ten would have been.
Over the course of the next few weeks it’s possible I’ll make it out to cinema darlings like La La Land and and Moonlight, but for now hopefully you’re eyes will find my choices for what I did see in 2016 acceptable enough. As always thanks for checking out my ramblings and I look forward to getting back in the saddle more and more on 2017! (more…)
As a horror lover I watch a whole lot of monster movies. Vampires, werewolves, aliens, you name it I have seen a healthy dose of them all. I have to say I’m shamefully low on Bigfoot movies though- unless of course you count HARRY AND THE HENDERSONS in the horror genre. The big guy seems to be making a comeback though with Bobcat Goldthwait’s WILLOW CREEK and now Eduardo Sanchez’s EXISTS- I’m sure there are plenty more, but let’s just stick with these two as the more “popular” examples. Sanchez’s film while shockingly low on the character side delivers more of the monster goods than Goldthwait’s character driven film. Together, they could make for a pretty solid double feature, or even splice them together to make the ultimate Bigfoot experience.
EXISTS follows five twenty somethings on their way out to a cabin owned by the uncle of the two brother’s who organized the trip. While traveling late at night and filming their hilarious beard burning prank on one of their friends they hit something, something relatively large. Unconvinced that it was anything to be concerned over they continue their journey. Once they arrive at the cabin they begin to hear some howling in the distance and assume it’s the wailing of an animal that they had struck. Before long, it’s pretty evident that they are not even remotely safe as something has tracked them down and is not too keen on letting them leave in one piece. (more…)
I like Jason Bateman and all, but isn’t it about time we start expecting just a little bit more from him? Not that he’s bad in anything you see him in- he generally manages to elevate even the typical boring rom com with his presence. Yet as likable as it often is, I just want a little bit more than just “likable dude who can’t catch a break” or “likable dude who can’t catch a break, but I’m taking it all in stride.” With the exception of this year’s BAD WORDS, I haven’t really seen him in anything where he deviates a bit from his normal routine (except for maybe THE CHANGE-UP). THIS IS WHERE I LEAVE YOU despite having about as bland a title as you can get finds him doing more of the same- likable dude who seriously can’t catch a break.
Waking up for work is generally the low-point of most working sitff’s days, but for Judd it was just the start. He seems to enjoy his job, until he goes home after work one day to find his boss, Wade (Dax Shepard), having sex with his wife, Quinn (Abigail Spencer). To make matters worse, he gets a call from his sis, Wendy (Tina Fey) that their father had just passed away. To make matters even worse he finds out after the funeral that it was his father’s dying wish that the family sit Shiva and reconnect while they mourn his passing. That normally might not sound so bad, except that Judd now has to sit for seven days with his mom and siblings, who he doesn’t really like all that much. With the stress of his imploding marriage, dead father and nagging family Judd is in need of distraction- which he finds in Penny (Rose Byrne). With Penny’s help Judd is able to find a little bit of clarity amongst the chaos though his dysfunctional family continues to complicate things around every turn. (more…)