The World’s End – It’s been a bit since Edgar Wright directed a film with his two buddies Simon Pegg and Nick Frost- sure we’ve seen Pegg/Frost together in the nearly terrible PAUL, but I’ve been jonesing for a return to the SHAWN OF THE DEAD and HOT FUZZ type of collaboration. Thankfully 2013 granted that wish with THE WORLD’S END, a film that combines almost all of my favorite things- comedy, action, awesome fight scenes, aliens and drinking.
Wright’s latest effort follows Gary King (Simon Pegg), a man obsessed with completing a legendary pub crawl that he and his friends fell short of years before. Gary manages to talk each of his friends- who don’t think too kindly of him anymore- to accompany him on the pub crawl once again. When they arrive back in town they find their home isn’t quite what it used to be and find themselves not just fighting for their lives, but for the fate of the world.
THE WORLD’S END is the ending chapter of what Wright dubbed the Cornetto trilogy- starting with SHAWN OF THE DEAD, then with HOT FUZZ and ending here in his latest sci fi romp. Now while I believe the film is very funny, filmed spectacularly well and acted just as well- there’s something about the last act that just didn’t fall into place for me.
I don’t have too many big gripes that ruined the movie for me and truth be told with a few more viewings it could end up being my favorite of the aforementioned trilogy. However, after the first one it did leave a little to be desired and luckily I feel this will hold up very well with multiple viewings. Overall THE WORLD’S END is a well shot, funny and exciting little sci-fi buddy comedy that continues to prove just how talented and imaginative Edgar Wright is as a director.
Thanks For Sharing – I often feel like guys claiming they have a sex addiction to be kind of a joke- a problem for the privileged man, or just a man in general. If there’s one film that truly gets the low lows of the addiction and makes a case for the treatment of such an addiction, it’s SHAME. I’ve grown a bit more sympathetic of the proclaimed addiction, but a movie like THANKS FOR SHARING kind of puts a dent in that sympathy- even if I did get a few good laughs from it.
Who knew that the Hulk suffered so much from an embarrassment if riches in the hanky panky department? THANKS FOR SHARING follows a handful of men as well as one women (played by Pink) as they struggle with the rigors of sex addiction. Mark Ruffalo leads the charge as a man that’s been “sober” for five years and is scared to venture into a relationship with the Gwyneth Paltrow in fear that his addiction will take over.
Ruffalo’s story has the majority of the screen time, followed by Tim Robbins’ older addict that now takes pride in helping people with a variety of addictions, Josh Gad as a perverted doctor that masturbates excessively and lastly Pink who just can’t resist the urge to screw any guy simply because she doesn’t know how to relate to them. Performance wise everyone is actually pretty great, but I feel like Robbins is far more watchable than the rest while Ruffalo just seems to phone it in.
It’s kind of nice to get more of a comedic approach to sex addiction since the drama that is attempted at in regard to it is contrived and silly at times. When We finally get a glimpse at what Ruffalo’s character goes through when his addiction takes hold, it’s the antithesis of what I feel is a joke about the addiction. It’s small lines here and there that serve as why sex addiction is a problem more than the actions- though Gad’s perverse work behavior does give a bit of insight to why it should be contained at times.
THANKS FOR SHARING mines very little that I find meaningful as a drama and succeeds mostly in the comedy, but doesn’t use it to its full potential. It’s great to see Tim Robbins putting in some great work, Josh Gad continues to make somewhat of a name for himself and even Pink adds a bit of fun to the proceedings. Overall the film isn’t quite heavy enough or fun enough to be as memorable as it seems it wants to be.
This is the End – Time after time chances to see THIS IS THE END in theaters passed me by. It’s a shame really, because I feel like the theatrical experience of this would have been one of the best of the year. The shared experience of enjoying a good laugh with a lot of people is exceedingly rewarding- but on the other hand, the type of comedy at play can also be very polarizing. Male humor is startling and awkward when it’s at its best and it’s something that can disgust and repel members of the opposite gender. THIS IS THE END might easily be one of the funniest films I’ve seen this year, but it loses momentum in the last act and is admittedly a bit awkward to watch if you have a significant other that isn’t digging the vibe it’s putting out.
I love how easy this movie is to describe- what would a bunch of comedic celebrities do when the rapture hits? The answer- argue about their bodily fluids and find varies avenues to take jabs at one another in hilarious ways. The actual story beyond the basic set up is the friendship between Seth Rogen and Jay Baruchel as they’ve grown apart over the last few years and they attempt to respark their once strong relationship.
It might be presumptuous to assume this humor is easily consumed by all males, given how subjective comedy can be. Essentially, the humor here is Apatow-esque if Apatow was an extremely immature college student baked out of his mind and had a thing for 90’s boy bands. The raunch factor isn’t totally out of Apatow’s wheelhouse, considering the actors here gained notoriety from films like KNOCKED UP or 40 YEAR OLD VIRGIN and TV shows like Freaks and Geeks or Undeclared. Also, the improv nature of the script might wear on some viewers that get a little fatigued by the constant back and forth banter between each character.
The budget is obviously low when you get into shots of the actual apocalypse which lends to the cheap aesthetic that is carried throughout, but the actors are so sharp and clever with their lines that it’s easy to overlook the effects issues that take over during some scenes. The final act of the film is where the film almost completely jumps off the track and the momentum all but dies out. The interactions between characters as the ending finally starts coming into place is extremely weak and the acting is kind of embarrassing- and given the characters are playing exaggerated versions of themselves it doesn’t even come across as naturalistic either. I have fewer problems with the final scene than I do witch the few minutes leading up to it, but it still isn’t near as strong as the rest of the film.
THIS IS THE END flirts with perfection in the face of an obviously low budget and with an extremely simple plot, but trips and falls flat on its face in the home stretch. The humor is laugh out loud funny almost all the way through and even has enough bloodshed and apocalyptic imagery to please horror buffs as well. If you’re a fan of the improvisational style that the actors involved are known for then THIS IS THE END has more than enough good to overcome the extremely weak ending. Be warned that if vulgar humor and imagery even slightly offends you, this might be one to just let slip by the wayside.
The Way Way Back – I have a real soft spot for coming of age movies. Everything about them seems to hit all the right chords and turn me into a sappy mess. Particularly stories about the awkward kid that is picked on, left out, looked down upon and can’t seem to find his place- I’m sure one could deduct why that speaks to me. The process of that character finding himself, letting go and being themselves when they find the right people is something that just makes my cold heart turn to mush. THE WAY WAY BACK is a perfect example of everything I just talked about with some incredibly fun and touching performances to bring it all together.
I already kind of summarized exactly what the film is about- an awkward kid, Duncan (Liam James), is on vacation with his mom, his mom’s bf and his mom’s bf’s daughter at a beach house. Duncan’s mom’s bf Trent (Steve Carrel) is a dick and his daughter is your typical annoying teenage brat and his mom seems to put up with more than she probably should in regards to Trent’s behavior and attitude. While on vacation Duncan meets Owen (Sam Rockwell) who manages a water park in the area and the two quickly strike a friendship that brings Duncan out of his shell.
Written and directed by the Oscar winning duo Nat Faxon and Jim Rash (writers of THE DESCENDANTS) the film is not without its beautiful scenery, but more than anything else it’s the relationships and the dialogue that make THE WAY WAY BACK what it is. Sam Rockwell knocks it out if the park in every scene he’s in as a guy that is incredibly comfortable with who he is and lives every moment to its fullest without taking life too seriously. The script is not overly complicated and sticks to the basic fundamentals of a coming of age story, but in that lies it’s strength. It’s relatable to people of all walks of life and accessible for people of all ages.
THE WAY WAY BACK is a sweet and heartwarming coming of age movie with a scene stealing performance from Sam Rockwell. There’s plenty of laughs, drama and angsty teen goodness for the film to find fans of any age. Nat Faxon and Jim Rash prove once again they have quite the talent for human stories with charming humor and I can’t wait to see what they come up with next.
Monsters University – It took years for me to finally check out MONSTERS INC and even then it was only because my wife kind of convinced me to watch it with her. I was a little ashamed of myself since at the time I was in school studying computer animation and while watching that film it reinvigorated my love of the forum. Disney/Pixar fueled my love of animation- specifically CG animation- for so long and to have that gap in my movie knowledge was very disappointing to myself. I preface that only to limp into my nearly mirrored thoughts on MONSTERS UNIVERSITY.
This film serves as a prequel to MONSTERS INC where we see the origins of Sully and Mike’s friendship and what lead them into becoming scarers. The animation style is exactly the same and rather than going for a lot of realistic mapping in favor of an incredibly slick and colorful cartoon-esque animation which is beautiful and stunning in its own right.
The Pixar quality is upheld in every aspect and the only place I could possibly acknowledge a flaw is that it’s so like many of Pixar’s other efforts including MONSTERS INC that it’s become a little redundant. However, I feel like that complaint is utterly useless and silly that we would feel incensed to complain about an embarrassment if riches in quality family entertainment. MONSTERS UNIVERSITY is far beyond other Disney/Pixar disappointments such as CARS AND CARS 2 that it feels petty to say a movie is bad simply because it’s as good but maybe not better than movies from the studio we previously loved.
MONSTERS UNIVERSITY is a great follow up to the original film and follows in its monster sized footsteps maybe a little too much for some. Regardless of the similarities to other movies in the Pixar cannon I believe the film is of extremely high family entertainment quality and one that will please audiences of just about any age- though the kiddos are likely to be more head over heels for it than anyone else.
White House Down – Having already seen a White House swigs movie this year and hating the crap out if it I did not have high hopes going into WHITE HOUSE DOWN. I find most of Roland Emmerich’s effects heavy action movies charming on some level, but not one have I felt intellectually challenged by one and this film is not the exception. That being said, I kind of loved this movie even with how incredibly mind numbing and stupid the entire thing was.
Channing Tatum stars as a secret service hopeful currently serving protective duty for the Speaker of the House. He takes his daughter on a tour of the White House after his interview for the secret service doesn’t pan out. While on the tour a group of highly trained mercenaries enact an elaborate takeover of the White House in aim of kidnapping the president and carrying out a plan that has disastrous goals.
All the Emmerich staples are here- incredibly dumb action, goofy one liners, pretty great special effects (one of the many things it has over OLYMPUS HAS FALLEN) and a somewhat bloated run time. Despite its length the film is always entertaining in spite of how dumb it is and you can always see what is happening quite clearly, something else the other White House takeover movie failed spectacularly at.
I’m not foolish enough to sit here and tell you that WHITE HOUSE DOWN is a good movie, but it does exactly what it sets out to do which is be entertaining. It didn’t win me over with stellar writing or even story elements that make any sense whatsoever; it won me over by simply not taking itself too seriously and delivering set pieces that are fun to watch and by being one of the movies it’s easy to shut one’s brain off and enjoy for a short period of time. Every now and again it’s nice to enjoy those empty cinematic calories.
The Purge – Like many other things I think sound like good ideas I sometimes have little faith that they are actually good ideas ideas. When I first watched the trailer for THE PURGE I thought it was an insanely cool concept, but I had strong doubts that it would deliver anything on the level of what I hoped. To an extent I was right, but truth be told this film surprised me and I actually liked far more than I thought I would based on my doubts.
As I debated the concept of THE PURGE, the more ridiculous it became. A distant future where crime is essentially non-existent except for one night a year where, for 12 hours, all crime including murder is 100% legal. The possibilities are endless and instead of exploring those possibilities it focuses on on family headed by Ethan Hawke who are extremely well off due to Hawke’s stellar selling abilities of a heavy duty home security system that nearly everyone in their neighborhood has purchased. The doors close and when the annual Purge begins a bloodied man is seeking help and the son inexplicably shuts the security down long enough to let the man in and inviting a group of psychos looking for him to come down on the house and stop at nothing to get their prey.
The most disappointing thing about THE PURGE is that with all the things that could be done with the concept is that it is staged almost completely within the one house. The tension is great and the performance from the “polite stranger” that wants nothing more than to kill the man Hawke’s family has in their house is nothing short of fantastic in a crazy entertaining sort of way. Everyone else is frustrating beyond belief just because of the actions they make throughout. Stupid horror movie character cliches are out in full force in almost every frame of this film which piles on to the disappointment of the one location nature of it all.
The twists and turns are all equally ridiculous but certainly help to offset the frustration of the characters. What I love is everything that the concept brings to light- the nature of the Purge itself and the social climate it suggests. I only wish that there had been more background on the New Founding Fathers and more insight/visuals as to what is happening all over during the Purge. We can only hope that if there is indeed a sequel it delivers a little more on these levels.
THE PURGE is nowhere near a perfect film- stating the obvious- but it is far more entertaining than it has any right to be given the character flaws and disappointment regarding the one location setting. You should see it if for nothing else than to see Rhys Wakefield’s bizarre but incredibly watchable performance as the film’s main protagonist. There are flaws aplenty, but there is a lot of potential in this concept to carry a franchise and hopefully they improve in the areas this one kind of drops the ball.
The Internship – Eh, that’s really all I have to say about Vince Vaughn and Owen Wilson’s latest team up. In the interest of conversation I will elaborate…I guess. I didn’t really have motivation to see THE INTERNSHIP at all, but alas I decided to give it a shot. For the majority of the film it completely justified those feelings and it’s not until the end that it gets into a few “okay” moments that at the most didn’t make me hate myself for riding it out.
Google has a reputation for being an awesome place to work and that’s pretty much all this movie is- even though it does everything it can to paint the people that work there as petty judgmental jerks. Wilson and Vaughn are watch salesmen with zero other skills and when the company they work for goes under they are forced to enter a job market they have almost no hope of successfully navigating. Obviously the next logical step is to apply for internships at one of the most highly sought after place to work in the world with no skill sets. They inexplicably get the opportunity and the rest of the film continues along the same lines of ridiculousness as the set up.
The most relatable aspect of the film is only that if you had nothing to lose why not try and crowbar your way into one of the most profitable businesses in the world. Beyond that, this movie is just stupid. It’s nothing but long shot scenario after long shot scenario that after some point my eyes were rolling so much I was dizzy. Is it not enough to watch two middle aged men with zero tech skills bs there way into an internship filled with hundreds of more than qualified younger applicants that we also have to watch a geek get a girl that’s 1,000,000 times out of his league? These are just some of the frustrating underdog themes at play here and they are all beyond generic.
It isn’t without its crowd pleasing elements and my heart is not made of stone as I mentioned in the end I didn’t completely hate myself, but there just isn’t enough here that I was happy with what I watched. THE INTERNSHIP is loaded with jokes that either don’t work or are recycled from other mediocre movies featuring Vince Vaughn. Rent it if you dare, but you won’t be any wiser to the charms of Google, the heartwarming nature of underdog stories, or that Vince Vaughn and Owen Wilson were ever good actors.
The Conspiracy – Found footage movies are in need of a bit of an overhaul in my opinion. I do enjoy one on occasion, but let’s face it, they are getting a little stale and for the most part, there’s nothing all that new about the slew of recent offerings. THE CONSPIRACY isn’t entirely the saving grace of new found footage movies, but it’s a step in the right direction.
The film has footing in real conspiracy theories that have popped up in recent years and uses them to weave an incredibly intricate little story that has a pair of documentary filmmakers making a film centered on a conspiracy lune that shouts his theories on street corners from a loudspeaker. When that man goes missing one day one of the filmmakers, Aaron, takes it upon himself to find a pattern in the research that was left behind. What he uncovers leads them into the heart of an incredibly dangerous secret society.
I don’t want to say THE CONSPIRACY is 100% original as it borrows bits and pieces from found footage faux documentaries that came before it, but it does weave those elements in a way that at the very least makes it feel new and exciting. The way that a lot of the actual conspiracy theories are mixed in with the plot heightens the rest of the film giving it some extra punch from start to finish.
The actors aren’t particularly memorable, but the situations they find themselves in make for some incredibly tense and freaky moments leading up to a finale that is quite frightening. However, as great as the finale is, the actual end of the film left a lot to be desired as opposed to if it had ended immediately after the final bit of action.
THE CONSPIRACY is a fantastic addition to the found footage universe and one that in spite one or two hiccups is a memorable little shocker with some incredibly spooky moments. The use of blurred faces and distorted voices during the finale are nightmarish and help to make the film stick in your head long after it’s over.